KitPlus | Articles

Alex Fine: Following the Ravensbourne 3

A lot of young people studying film production such as myself are always looking to set up as a film production company. We do little jobs where we make studio diaries for young (or old on the rare occasion) musicians; low budget music video’s, [very] short film’s about nothing in particular, or corporate video’s with clich dolly- moves and scratch...

Submitted by Alex Fine

Published 01 March 2013

Will Strauss gets a grip!

By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#

Published 01 March 2013

Part 2 following the Ravensbourne 3

Last month in the intro issue I described what I did in the past as a hobby and a hopeful branch of my career. Time-lapse is an integral part of what I do and I am eager to develop my skills in it. I had such a chance at the end of October when I got my hands on a ‘Dynamic Perception Stage Zero’ 6ft Dolly track with MX2 Controller. I felt this was...

Submitted by Kieron Seth#

Published 01 December 2012

The Modern Solution - Just Add Carbon!

Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#

Published 01 July 2012

Vegas Baby!

So last month was NAB in Las Vegas, and I got to go!Now I'd never been to the States before. I really didn't know what to expect. Other than not being allowed in bars or casinos as I'm under 21. And trucks on the road, larger meal portions and a favourable exchange rate. Thankfully I'm used to long flights, and after establishing that I could take...

Submitted by Bob Pank#

Published 01 June 2012

NAB 2012 Kit Review used by BroadcastShow

NAB kit review:-So pre-NAB we are all very busy organising interviews with 70 exhibitors over 4 days covering 4 halls and in our case around 28 miles. Late last year we developed an online interview booking system at www.broadcastshow.com which allows exhibitors to book one or more 15 minute slots, enter stand information and questions they may lik...

Submitted by Bob Pank#

Published 01 June 2012

My first BVE

The problem with Premier Inns, is that they can be quite disorientating. All the rooms are decorated the same, whichever hotel you're in, be it England or Scotland. It is especially confusing just after your alarm goes off, as you're not quite with it and I often struggle to remember where I am, and what I'm supposed to be doing. To some extent I t...

Submitted by Bob Pank#

Published 01 April 2012

BVE 2012 in no particular order.......

The big story at BVE 2012 was BVE 2013. With the Earls Court exhibition site scheduled for redevelopment, BVE relocates next year to the ExCel exhibition site in London’s Docklands. The distance is only about 10 miles but, in the minds of many BVE exhibitors, the move is comparable with moving the NAB Convention to the Mississippi Delta. If you rea...

Submitted by Bob Pank#

Published 01 April 2012

Andrew McLeans Guide to Lenses

Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#

Published 01 March 2012

Meet Steadicam

1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#

Published 01 December 2010

Accessorising DLSR video

Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#

Published 01 March 2010

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Lights, Camera, Makohead Action

With the movie Quantum of Solace due to hit the big screens in October, audiences around the world are already gearing up for another huge blockbuster from the James Bond stable. The movie, which began shooting at Pinewood studios in November 2007, will undoubtedly include the spectacular action sequences that are the hallmark of James Bond films....

Submitted by Dennis Lennie

Published 01 December 2008

The Brown Stabilizer

Garrett Brown is best known as the Oscar-winning inventor of the Steadicam®. He has shot with it on nearly 100 movies including Rocky, The Shining and Return of the Jedi. Garrett holds 50 patents worldwide for camera devices which include the new Steadicam Merlin, a miniature version for camcorders; Skycam, the robot camera that flies on wires over...

Submitted by Dennis Lennie

Published 01 March 2008

Lightweight Dolly Systems Vs Heavy Duty Kin

Film sets are fortunate to still employ and make full use of a ‘grip’ and his kit. A Grip Department can make or break a film as they are involved in the whole filming process and a skilled grip can save hours and pounds for the world-weary producer. That aside in the smaller world of young film-maker and broadcast TV Documentary, grips are all but...

Submitted by Dennis Lennie

Published 01 March 2008