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Gekko Kelvin Tile LED REVIEW


By Jon PratchettI like LED lighting. I know there are a lot of people who tell us that it can't produce the wide colour gamut of Tungsten, and I agree. But it’s getting close and the shear ease at which you can set them up and control their brightness, not to mention the lack of heat and the ability to run them for hours off a battery for me out wa...

Submitted by Jon Pratchett
Published 01 March 2013

The way forward for lighting control


High Quality LED Fixtures are the Way Forward for Lighting ControlPat Grosswendt, Co-Founder, LitepanelsThe majority of directors of photography (DPs) work by the motto that if anything looks lit then it has been done badly. Whether on the set or in the studio, lighting directors strive to create images that look as natural as possible. The key to...

Submitted by Pat Grosswendt
Published 01 March 2013

Photon Beard shines bright in South India


by Peter Daffarn, Managing Director, Photon BeardOn 23 January 2013, the highly anticipated Mathrubhumi News Channel, part of a 24-hour Malayalam-language cable television network based in Trivandrum, capital city of the state of Kerala on the southwest coast of India, was officially launched. Also launched that day was India’s first wirelessly con...

Submitted by Peter Daffarn
Published 01 March 2013

Lights Camera Action for Silverstone F1


Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons
Published 01 March 2013

Review of Kinoflo Celeb 200


Good quality lighting is at the heart of all great photography, when we use the sun we are at the mercy of the weather and need to take into consideration all the variables from time of day to position of sun to name a few, importantly however we can trust the source to provide a complete spectrum. However when we are shooting with tungsten or with...

Submitted by Will Strauss#
Published 01 November 2012

Revolutionary Rotolight Anova Shoot at BBC Studios


The Worlds Most Advanced LED Floodlight the Rotolight Anova (www.rotolight.com) was recently the light of choice for a shoot at the home of British Television, with Philip Nash, Multi-Award Winning Photographer and Videographer(www.nash.net) shooting both Video and stills with one of the worlds leading models. The shoot was both indoors against pho...

Submitted by Will Strauss#
Published 01 October 2012

ARRI LED technology


With a growing range of LED products, ARRI is providing industry professionals with all of the benefits of using a Low Energy Lighting source with familiar characteristics. The L-Series LED Fresnel fixtures are so close to their conventional equivalents that they create a like-for-like replacement of traditional Fresnels with LED-based light engine...

Submitted by Bob Pank#
Published 01 March 2012

Eye to Eye: Whats new in lighting


The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short over...

Submitted by Bob Pank#
Published 01 March 2012

Truth Lies and LEDs


As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#
Published 01 January 2011

Putting Your Sports Announcers in the Best Light


Sports event remote crews have long fought the challenge of matching light on announce booth talent to the ambient light on the field below. Light on the playing surface during a single event can range from bright sunlight, ducking in and out of clouds, to minimal level artificial light. During daylight hours, without additional light on the talent...

Submitted by Kieron Seth#
Published 01 January 2011

Flipping the Switch to Wireless Lighting Control


Despite the fact that the wider world is increasingly adopting multiple forms of wireless control and communication, the professional lighting industry continues to, by and large, be dominated by the wired link to carry the universal DMX512 control standard. There’s no question that wired DMX512 offers simplicity for point-to-point links to large b...

Submitted by Kieron Seth#
Published 01 January 2011

Eye to Eye at the Wildscreen International Film Festival


Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#
Published 01 December 2010

LightLighting Sky News at the Gherkin


Jeff Randall Live is a new flagship daily business update on the Sky News channel, broadcast from Sky’s Gherkin studio in London. A recent addition to the City skyline, the Gherkin is located at 30 St Mary Axe. Its modern design includes a secondary exterior skin which gives the building its characteristic shape and is said to reduce its energy req...

Submitted by Bob Pank#
Published 01 August 2010

Ask the experts on cable


Digital, server-based systems in production, post-production, news gathering and playout bring increased efficiencies and productivity. Nonlinear editing and news gathering allow users to access the same material across a data network. Digits are here and are now dictating the form of cables and connectors, from camera through to playout. What qual...

Submitted by Bob Pank#
Published 01 May 2010

Eye to Eye: Acquisition and Production


Back in the days of the Audio Fair which annually graced London's Russell Hotel, my co-hack Frank Jones of Hi-Fi News put his head into the KEF Electronics demonstration room and bellowed the time-honoured question "What's new?"KEF was showing established products that year so its founder, the avuncular Raymond Cooke, responded with his own questio...

Submitted by Bob Pank#
Published 01 March 2010