KitPlus | Articles

Using Multipoint Monitoring to Ensure Reliable Digital Vi...

Because the quality and bandwidth-efficiency advantages of digital over analog methods have made digital transport preferred, the world continues its migration to an all-digital approach to delivering video signals – from the studio through distribution networks to the end-viewer. As with any new technology, adopting and integrating digital video d...

Submitted by Bob Pank#

Published 01 March 2011

Control and Monitoring with Snell

For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#

Published 01 March 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

Expanding Arqiva into HD playout

ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#

Published 01 December 2010

Commonwealth Games Will Be All Right On The Night

Fans of Bollywood films will be familiar with the classic Indian wedding storyline in which complete chaos usually engulfs the event right up to the moment when the groom arrives, at which point everything comes together and everyone has a whale of a time and puts behind them the dramas that preceded the ceremony. The XIX Commonwealth Games (CWG) i...

Submitted by Bob Pank#

Published 01 December 2010

Meet Steadicam

1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#

Published 01 December 2010

TV Bay Questions

Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#

Published 01 November 2010

Archiving in a Multiplatform Environment

There was a time when broadcasters and media companies worried only about one version of content, destined for one distribution platform. Now, however, the increasing volume, number of versions, and growing complexity of digital media assets has made the management and storage of content a much more challenging undertaking. Media companies today mu...

Submitted by Bob Pank#

Published 01 October 2010

Digital Archiving in Media Workflows

Why is there a growing need for digital archiving in the broadcast and post-production industry?Across all segments of the media and entertainment industry, the past decade has seen a fundamental transformation, where virtually the entire industry moved from tape or film to digital media. This change required investing in digital equipment and proc...

Submitted by Bob Pank#

Published 01 October 2010

Content Control in a Complex Broadcast Environment

Broadcasters and other media companies today acquire, generate and store an unprecedented volume of content to take advantage of new distribution outlets. Enabled by the transition to digital media and file-based workflows, this model presents new opportunities with respect to revenue generation as well as new challenges in terms of establishing ef...

Submitted by Bob Pank#

Published 01 October 2010

Those Who Forget the Past are Doomed to Delete It

Hundreds of thousands of hours of film and video archives are slowly deteriorating in vaults and storage containers around the world. Although numerous projects are underway worldwide to restore, preserve and protect these vast repositories of cultural heritage, it does little good if the rescued material isn’t catalogued, archived and managed. If...

Submitted by Bob Pank#

Published 01 October 2010

Making the content factory a reality

The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#

Published 01 September 2010

3D Diaries Part 3 Mastering 3D

The 3D Masters conference was full of optimism, and caution, for the future of stereoscopic 3D. The one-day event was a near sell-out with about 250 attendees filling most of those sumptuous theatre seats at BAFTA. Despite the comfort, warmth, darkened room and good lunch, your correspondent managed to keep wide-awake to absorb the ceaseless torren...

Submitted by Bob Pank#

Published 01 August 2010

Enabling the fans

The days when a simple hotdog, a pint of beer, a score board and good lungs were the main ingredients of a great day at a football game are soon to be a thing of the past. Mike Arthur, general manager, sports and live events, at Harris Broadcast Communications, talks to TV-Bay Magazine about the advances in technology which will enable interactive...

Submitted by Bob Pank#

Published 01 July 2010

How to create and brand a live TV experience online

Late last year, Pixel Power worked closely with the Perform Group to brand the first ever live England football match online, a landmark event. Before we discuss that in detail, there is a wider question to answer: what do we mean by “branding”? Branding is fundamentally how you differentiate your channel; how you make it stand out in the crowd and...

Submitted by Bob Pank#

Published 01 July 2010