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A year in the life of SIS LIVE


by David MeynellIssue 81 - September 2013 This time a year ago SIS LIVE was still glowing with the pride that came from working to deliver outside broadcast TV coverage and satellite connectivity for London 2012 Olympic and Paralympic events. At the time 2013 was billed as a fallow year for the live broadcasting industry which, as we will see, was...

Submitted by David Meynell
Published 01 October 2013

Will Strauss looks at the growth of MediaCityUK and dock...


by Will StraussIssue 81 - September 2013 Whats up Dock?In less than three years Dock 10 has grown from a mere studio operator with add-ons to a fully-fledged digital media service provider. Will Strauss tracks the changes. MediaCityUK in Salford, Greater Manchester is exactly as the name suggests: a towering metropolis pumping out TV, radio and dig...

Submitted by Will Strauss#
Published 01 October 2013

Ensuring online video revenue in the face of piracy


by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten
Published 01 September 2013

A runaway success at Graduate Fashion Week with Blackmagi...


Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus
Published 01 August 2013

8 questions about QC and language-based tools for caption...


by KJ KandellIssue 79 - July 2013 What are Captions?Captions (also known as subtitles) are coded signals that are sent along with the video and are decoded at your television or cable box to provide the audio track of the programming as white or colored text over a background. Captions can be open or closed. Open captions are always visible while t...

Submitted by KJ Kandell
Published 01 August 2013

Demystifying the black art of digital audio


by Alan WheableIssue 79 - July 2013 At the pure analogue end of the audio world (which these days is very narrow with much of the audio content being captured digitally) it is quite straight forward to check that an audio channel is present, that it sounds right and has the right levels. Likewise if the audio channel has hum or a buzz on it is rela...

Submitted by Alan Wheable
Published 01 August 2013

Ask the experts: Content readiness in time-deferred workf...


by Sudeep BoseIssue 79 - July 2013 What are the fundamental considerations that must be addressed to ensure the quality of non-real-time content, whether played out from a broadcasters media server or time-shifted for VOD and other OTT services?When focusing on the actual content itself, rather than the service, network or other components, the key...

Submitted by Sudeep Bose
Published 01 August 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

The greening of broadcast facilities


By Chris Exelby, Managing Director, TSL Professional Products, Ltd. In today’s world of tightening broadcast facility budgets, planners need to keep a keen eye on the bottom line to ensure operational efficiency. An integral part of this process is getting a green handle on power management, an increasing necessity around the globe. Power managemen...

Submitted by Chris Excelby
Published 01 July 2013

Changing the art of Chroma Key


ChromaKey technology has been used for decades in TV and film studios to composite images or footage into a shot using green and blue screen backdrops. Although used on multi-million dollar movies, such as AVATAR and used all around the world in News rooms, conventional ‘Fabric’ ChromaKey technology requires Kilowatts of lighting, hours of setup ti...

Submitted by Rod Aaron Gammons
Published 01 June 2013

The Cloud, a big hit at NAB with Bob Pank


NAB 2013 will go down in history as the event where the broadcast industry took to the Cloud in a big way. Perhaps it was the number of smaller companies and start-ups that have been successfully operating cloud services for a year or more that persuaded the big names to join in but, more likely, these moves have been in the pipeline for a while. T...

Submitted by Bob Pank#
Published 01 June 2013

Evolving the industry audio monitoring systems


With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird
Published 01 June 2013

Building a live linear streaming channel to reach multipl...


The market for live and on-demand streaming video has exploded in recent years thanks in part to broadband connections and the proliferation of connected devices. A recent survey by The Diffusion Group showed that some 50 percent of online video viewers watch some form of streaming live video at least once a month, and 64 percent said comprehensive...

Submitted by Jennifer Baisch
Published 01 May 2013

BNC: Is it at the end of the line?


by Robin PalmerThe familiar BNC connector has been around a long time. It was invented in the late 1940s, primarily for military radio frequency and microwave interconnections. The initials derive from the style plus the names of the inventors (Paul Neill and Carl Concelman): Bayonet Neill–Concelman. The original development work was done by Octavi...

Submitted by Robin Palmer
Published 01 May 2013

IPTV at Frankfurt airport


At Frankfurt Airport, dreams of the future already come as standard: television and radio programmes are distributed all over the airport grounds site using IPTV. The existing network infrastructure is used as a basis here. The operating company, Fraport AG uses the IPTV hardware and software of manufacturer Teracue for its distribution. More than...

Submitted by Raymond Burns
Published 01 May 2013