KitPlus | Articles

Centralised tapeless workflow at BT sport studios

by Steve Montgomery Issue 88 - April 2014 Part of the former International Broadcast Centre at the Queen Elizabeth Olympic Park in London has been transformed into the new home of BT Sport with state-of-the-art production and broadcasting systems for BTs new television broadcast operations. BT sport is a broadcasting station with 24-7 operational c...

Submitted by steve montgomery

Published 01 May 2014

Ask the Experts with IABM

by Peter White Issue 87 - March 2014 1. In terms of technology - how is the broadcast industry set to change in 2014?2013 was a particularly challenging year for many vendors in the broadcast and media technology sector. According to the IABM Industry Index, while there was some modest growth last year, many businesses experienced an ongoing declin...

Submitted by Peter White

Published 01 April 2014

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014

Automation...

by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Taking legacy content into the 4K world

by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc

Published 01 January 2014

Supporting the transition to 4K

by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd

Published 01 January 2014

Broadcasting from the icy tundra

by BJ KirschhofferIssue 84 - December 2013 Polar Bears International (PBI) is a non-profit organization dedicated to polar bear conservation and educating people about the effects of climate change on the arctic ecosystem. PBIs free educational broadcasts connect scientists in the field with students from all over the world who want to learn about...

Submitted by BJ Kirschhoffer

Published 01 January 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

BroadcastShow Tour - a visitors view

by Connor PearceIssue 83 - November 2013 Suitably set on the backdrop of Britains birthplace for iconic television, the last leg of the BroadcastShow Tour saw Philip Bloom host a day of seminars at Pinewood Studios. Alongside this, internationally leading companies in film and television technology flocked to share their latest and greatest broadca...

Submitted by Connor Pearce

Published 01 December 2013

A testing 4K future...

by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney

Published 01 December 2013

Leading digital cinematography seminar with Matt Siegel

by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel

Published 01 December 2013

Remote control and monitoring

by Alan WheableIssue 83 - November 2013 Remote Control and MonitoringYou might wonder what remote control has to do with test and measurement. And you might be pleasantly surprised when you find out. For a number of years now, manufacturers of broadcast equipment have used remote controlled test installations to allow them to test systems and modul...

Submitted by Alan Wheable

Published 01 December 2013

Embracing the 4K future with next generation encoding tec...

by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#

Published 01 December 2013

Taking the heat out of lighting

by Kevin CookIssue 82 - October 2013 Weve seen a gradual move away from tungsten video lighting for a number of years now and for all sorts of reasons. Firstly theres the ecological issue about using tungsten lights. Burning a metal filament within a gaseous-free glass chamber is not the most efficient way to generate a light source. Most of the en...

Submitted by Kevin Cook

Published 01 November 2013