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TV Futures - The Shadowing Experience


My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should com...

Submitted by Daniel Jones
Published 21 March 2019

Flexible Connectivity Hits Europe


The low-latency Dejero CellSat network was launched in Europe in January of 2019, which is excellent news for European broadcasters who can now benefit from the same flexibility CellSat provides North American Dejero customers, such as World Racing Group (WRG). The production teams at WRG, the premier sanctioning body for dirt track racing in North...

Submitted by Yvonne Monterroso
Published 21 March 2019

Grading BBC Sounds


The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus. BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists. BBC...

Submitted by Simone Grattarola
Published 25 January 2019

The making of The Heist


Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers. We make Hunted and The Island with Bear Grylls for Channel 4 and we’ve just made The Heist, this time working with Sky One. These are all huge, ambitiously for...

Submitted by Tom Hutchings
Published 25 January 2019

TVFutures - Location Assistant


Hi, my name is Maddison Young and I am an undergraduate on BSc (Hons) Television and Broadcasting at the University of Portsmouth. If there is one consistent message being given to students these days it is ‘move out of your comfort zone, and get real industry work and experience’! It’s a scary message, and my first year saw me take mostly internal...

Submitted by Maddison Young
Published 24 January 2019

The Brutal Kit Environment of Education


The customerMiddlesex University is a highly successful and progressive University with a modern campus. Ranked No.1 in London overall for career prospects in Film Production and Photography, its portfolio also includes animation, journalism, graphic design and digital media, amongst others. The setupSpeaking to Daniel Sosnowski, Faculty Technical...

Submitted by Peter Savage 2
Published 24 January 2019

Filming behavioural sequences in tough environments


Three leading figures from the world of natural history production discuss their experiences with the Panasonic VariCam and EVA1 large sensor cameras, and offer advice for shooting in challenging environments including underwater, at high altitude and in extreme weather. Panasonic was proud to sponsor an exclusive seminar with three leading individ...

Submitted by KitPlus
Published 24 January 2019

New developments in remote broadcast cameras


Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley
Published 24 January 2019

Viva La Microphone Evolution


2018 marked the twentieth year of Sennheiser Evolution microphones - a range of wired and wireless live performance microphones and wireless systems that took Sennheiser from relatively small-volume broadcast manufacturing to a prime position on stages around the world. Last November, Sennheiser UK marked this auspicious occasion by holding an even...

Submitted by KitPlus
Published 24 January 2019

State of the Nation - November 2018


There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new
Published 09 November 2018

NEP Student Day


The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus
Published 09 November 2018

Using Wireless Transmission


Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam...

Submitted by Jeremy Benning
Published 09 November 2018

The Biggest Toy Shop in the World


When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison
Published 08 September 2018

OB999 Accelerates Hill Climb Broadcast


Over the last century, The Shelsley Walsh Speed Hill Climb has been attempted by some of the world’s most accomplished racing drivers striving to be the fastest up the 1,000 yard, 1 in 6 gradient track. Last month, in celebration of the motorsport venue’s 113th birthday, Formula E’s Mitch Evans not only added his name to that extensive list of driv...

Submitted by Nick Collier
Published 08 September 2018

Fast-moving productions need multi-cam RF reliability


Wireless acquisition creates a level of freedom not possible with any other form of filming yet only a decade ago the technique was barely possible. The technology enabling live real-time connections over radio frequencies has advanced leaps and bounds such that there is barely an entertainment, documentary, sports or news format today that doesn’t...

Submitted by Darren Bilton
Published 08 September 2018