KitPlus | Articles

Betting Industry Transformed by Video Technology

In the betting and gaming industry, the streaming of live sports from across the globe is a big business. It’s proven that revenues increase when bettors are able to watch the event that they have placed a bet on, providing a far more engaging experience. At Sports Information Services (SIS), we transmit in excess of 620,000 hours of live sports co...

Submitted by chris thornton

Published 07 June 2018

What is Next for Broadcast

The Broadcast industry is always chasing new technology. Some of that technology is further than it appears to be, and some of it is closer to adoption than it seems. In part, early adopted technology is accelerated because of customer or business demands, and in the case of IP based environments, the driving factors are speed, cost reduction, and...

Submitted by David Schleifer

Published 07 June 2018

State of the Nation

I sometimes think I pay too much to get my hair cut. On the most recent occasion I was trimmed, my hairdresser had just returned from a holiday in Hawaii. Where she thought she was going to die. She thought this because the state’s emergency alert system was triggered, sending messages across all available platforms, for 38 minutes, that a ballisti...

Submitted by Dick Hobbs - new

Published 26 March 2018

Technological advances in the broadcast industry

Since it is Omnitek’s 20th anniversary this year, I thought it would be interesting to look back over the technological advances in the broadcast industry over the last few decades and look at the similarities between then and now. When I started work in the Broadcast television industry in 1975, video was analogue (with only 3 of 4 formats to worr...

Submitted by Alan Wheable

Published 26 March 2018

Transforming asset management and monetization

FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year. Besides producing some of the...

Submitted by Chad Hamilton

Published 26 March 2018

VR and the importance of tracking

I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The...

Submitted by KitPlus

Published 26 March 2018

Interview with Peter Rowsell, Polar Graphics

If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years. Entering his 43rd NAB (yes 43rd, that is NOT a typo!) who better to catch up with t...

Submitted by Polar

Published 26 March 2018

NAB is all about people

The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge. At Media Links we have been supplying our leading-edge technology for the world’s most watched global sports events for many years. Our te...

Submitted by John Smith -new

Published 26 March 2018

Why OTT needs multicast ABR

Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay. However, OTT doesn’t just mean video on demand but extends to live streaming too. Dri...

Submitted by Damien Lucas

Published 26 March 2018

Reliable back-up at the Music City Bowl

WLEX – LEX18 – is the NBC affiliate in Lexington, Kentucky, and part of the Cordillera Communications Group. As a very popular local station with a broadcast area that covers 40 counties across central Kentucky we have a big commitment to news, broadcasting more than seven hours of live programming on a typical day. As well as the usual unpredictab...

Submitted by Sam Gordon

Published 26 March 2018

A new AEON in Wireless 4k

Whatever production companies are doing right here, right now, today, with wireless HD production tools, they want to do right here, right now, today with 4K UHD. That’s great, but common wisdom would share a host of challenges around 4k UHD, not least, the fact that 4K UHD requires 8x the processing power to transmit, then demands additional horse...

Submitted by JP Delport

Published 12 February 2018

Empowering connectivity choice in the field

Reliability, flexibility and ease of use are the key requirements when covering the news and live events, especially when the location could be anywhere. Connectivity is one of the biggest concerns in the field when the pressure is on to capture a key event – if you cannot establish a reliable transmission path to send your video back to the broadc...

Submitted by Yvonne Monterroso

Published 12 February 2018

Taking the lead in the HEVC and 4k revolution

There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help...

Submitted by Malcolm Harland

Published 12 February 2018

Playing with Pink Floyd

For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus

Published 12 February 2018

Capturing the spirit of Mexico

Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce ge...

Submitted by Leonardo Dalessandri

Published 12 February 2018