KitPlus | Articles

Shared Storage Comes of Age

Increasingly stored in digital form, together with related metadata, digital media is in the process of transforming both the technology and process of production throughout the broadcast and post production industries. But as every action precipitates a reaction, every advancement precipitates its own particular challenges. The challenges with dig...

Submitted by Bob Pank#

Published 01 October 2010

Hows that

A few days ago I umpired a cricket match. It was a very pleasant afternoon, marred only slightly by the almost continual drizzle, but it was August in southern England. The game was held at a lovely village cricket club, and so my fellow umpire and I did not have the benefit of replays or other technology. To be honest, I think they would have been...

Submitted by Bob Pank#

Published 01 October 2010

The University of Sunderland

OverviewThe University of Sunderland School of Arts, Design and Media in Northeast England operates one of the country’s most vibrant and well-equipped media departments in the country. With a rating of excellence from the Quality Assurance Agency, the media and cultural studies department attracts a diverse group of students to its undergraduate a...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Tape is dead. Long live Tape

An area that has been a vital part of television – defining much of ‘how’ and ‘what’ things are done – is recording. At first film was the medium, then in 1956, Ampex invented the video tape recorder with the prime aim of providing delayed programmes across the USA. Soon video tape editing, and other applications rapidly expanded and the 2-inch qua...

Submitted by Bob Pank#

Published 01 October 2010

Content Control in a Complex Broadcast Environment

Broadcasters and other media companies today acquire, generate and store an unprecedented volume of content to take advantage of new distribution outlets. Enabled by the transition to digital media and file-based workflows, this model presents new opportunities with respect to revenue generation as well as new challenges in terms of establishing ef...

Submitted by Bob Pank#

Published 01 October 2010

Ensuring the longevity of an archive

The role of the archive has changed dramatically over the last few years. Every broadcaster in the world, regardless of their size, has the tools at their disposal to unlock their assets, digitise and repurpose their content for renewed monetisation and, in some cases, for the benefit of historic value. Tapping into new revenue streams is essential...

Submitted by Bob Pank#

Published 01 October 2010

Data storage or Media storage

Now I am no techie geek, which in this business could be viewed as a disadvantage, but I do know that in all areas of life the design of the storage container is determined to a large extent by the nature of the thing you want to store. For example, chips (or fries) work in a grease proof paper bag just fine but I like my drinks in a cup, can or bo...

Submitted by Bob Pank#

Published 01 October 2010

Post Production

The global financial downturn is having a significant impact on every industry and television is suffering too. The programme budgets of most channels are being held or cut making the costs of producing content significant in the decision on whether programmes and series are aired. Yet the demand remains for bigger, bolder and more cinematic styles...

Submitted by Bob Pank#

Published 01 September 2010

HD Post Production

In a parallel universe all forms of electronic entertainment are produced and presented in identical formats that can be exchanged and retrieved by anyone with permission to access the product. Unfortunately in our universe the opposite is true and a frustrated band of audio and video heroes spend every day of their working lives trying to satisfy...

Submitted by Bob Pank#

Published 01 September 2010

Nucoda Film Master builds tension on Mistresses

Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#

Published 01 September 2010

USB 3 King of Connectivity

They call it SuperSpeed, and for a very good reason. USB 3.0 boasts a data throughput of 4.8 Gb/s. We’ve long known this ubiquitous I/O technology as the Universal Serial Bus, and the improvements gained by USB 3.0 over USB 2.0, along with its backward compatibility, have already shown the USB king of connectivity is going to undoubtedly retain its...

Submitted by Bob Pank#

Published 01 September 2010

Making the content factory a reality

The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#

Published 01 September 2010

ALEXA bringing new creative freedom to filmmakers

ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#

Published 01 August 2010

Game, Set and Media Management

A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#

Published 01 August 2010