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Authoring and Monitoring for the emerging 3D immersive Br...

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by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

No broadcast without flawless communication

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Issue 105 - September 2015 Reliable and fail-safe communications for the broadcast of live events are more important than ever. On site, broadcasters only have one chance to grab the perfect image for the viewer with time being a crucial factor. The larger the event, the more viewers it reaches and the higher the risk that something could go wrong....

Submitted by KitPlus

Published 01 October 2015

The IP Solution - intercom systems without extensive new...

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by Manuel Brico Issue 101 - May 2015 When a broadcasting or TV station wants to install a new intercom system in its broadcast centre or headquarters - or wishes to replace its entire intercom system - it is faced with two big investments. One concerns the capital investment in terms of hardware and software. This will include investment in equipme...

Submitted by Manuel Brico

Published 01 June 2015

Capture and Produce

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Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Take it to the bridge

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by Will Strauss Issue 91 - July 2014 Since the late 1980s, studios, facilities, OB trucks and many other professional broadcast set-ups have relied on digital video standards such as SDI (Serial Digital Interface) to move audio and video around. Using SDI it has been possible to happily construct a reliable, error-free, plug-and-play, real-time ope...

Submitted by Will Strauss#

Published 01 August 2014

Game Set Match

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by Nico Lewis & Jon Ridel Issue 89 - May 2014 Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without...

Submitted by Nico Lewis

Published 01 June 2014

Riding on the back of communication

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Issue 83 - November 2013 The Concours Hippique International Officiel (CHIO) in Aachen is the most prestigious riding tournament in Europe. This years event, which ran from 21 to 30 June, drew over 360,000 spectators to the various competition venues to see some 350 riders in action. The tournament, with over 2.6 million euro in prize money on offe...

Submitted by KitPlus

Published 01 December 2013

The future of the intercom industry

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At NAB 2013 RTS launched its first OMNEO interface cards, marking the first deployment of OMNEO in the broadcast intercom industry. In the future, users can transform their RTS ADAM matrix into a flexible, IP-based, AVB-compatible intercom network. TV-Bay spoke to Manuel Brico, RTS Sales Manager CCS GAS & Balkan, on OMNEO and the advantage of the n...

Submitted by KitPlus

Published 01 June 2013

3D filmmaking

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Stereographers are in demand, they have little time and the time they do have is highly valued. I first met Demetri at IBC this year during the showing of HUGO (see page XX) and we were fortunate enough to catch up with him again during a flight to LA where he was heading for the first stage of 3D post for 47 RONIN. His opinions on 3D filmmaking ar...

Submitted by Bob Pank#

Published 01 January 2013