KitPlus | Articles

Cautionary notes from GTC Member number 001

by Dick Hibberd Issue 101 - May 2015 Recently I was invited to be on the panel of judges charged with selecting the winners of the 2014 \'Bill Vinten GTC University Awards\'. This was just the second year of this excellent scheme and, if the submissions from universities increase annually pro rata, then we will soon have a major logistics problem i...

Submitted by Dick Hibberd

Published 01 June 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

Back in the day

by Larry Jordan Issue 100 - April 2015 Congratulations, TV-Bay, on your tenth anniversary; as well as the 100th issue of TV-Bay/KitPlus magazine. Very cool!Ten years ago seems like forever. Some of us were editing with Final Cut Pro 5. LiveType was still with us. Others were using Adobe Premiere Pro 1.5 (CS3 was still two years in the future). Stil...

Submitted by Larry Jordan#

Published 01 May 2015

Extreme equipment for the Film and TV industry

Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus

Published 01 May 2015

Rise of the drones

by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben

Published 01 May 2015

#TVFUTURES

by Simon Bull Issue 99 - March 2015 Sport\'s television is a multi-billion dollar industry that draws millions upon millions of viewers to a gigantic range of sports programming. Many of the most watched television events have been sports broadcasts, the Olympics, the World Cup, and the Super Bowl to name a few. It\'s an ever-growing universal indu...

Submitted by Simon Bull

Published 01 April 2015

Training for media - who should do it?

by Martin Uren Issue 99 - March 2015 Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a...

Submitted by Martin Uren

Published 01 April 2015

Cloud Editing at BVE

Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus

Published 01 April 2015

Fuelling productivity at BP

by Angus Mackay Issue 99 - March 2015 As one of the world\'s leading oil and gas companies, BP has a long history of producing a variety of film, video, and multimedia, and currently has an archive of over fifteen thousand films dating back over a century. The productions cover topics ranging from scientific discovery, energy exploration, community...

Submitted by Angus Mackay

Published 01 April 2015

SiS Live

Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus

Published 01 April 2015

Capturing the action : Ocean Communications

Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus

Published 01 April 2015

The changing face of film and TV

by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver

Published 01 April 2015

How to charge premium prices

by Den Lennie Issue 98 - February 2015 How much should I charge? Is probably the most commonly asked question I receive here at F-Stop Academy. And the answer? As much as you can and your client is willing to pay. In business it is your duty to maximise your profit. If you are offering a premier boutique video production service then charge accordi...

Submitted by Den Lennie

Published 01 March 2015

Education meets industry...

by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham

Published 01 March 2015