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Andrew McLeans Guide to Lenses


Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#
Published 01 March 2012

ARE QUALIFICATIONS RECOGNISED?


In a recent survey of 1,000 employers in various industries about whether job applicants possess the skills to thrive in the work place, more then half of employers said finding qualified applicants was difficult. It appears that many companies in our industry are pretending that all is well. They must believe because as so many people want to work...

Submitted by Bob Pank#
Published 01 March 2012

Eye to Eye: Video Post-production


This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#
Published 01 February 2012

Stereoscopic 3D legalisation


Since its foundation in 1989, ONSIGHT has expanded from a London-based broadcast hire business into a full-service production facilities company. Also located at Shepperton Studios, ONSIGHT specialises in film and television production, post production and distribution. ONSIGHT’s activity encompasses every link in the signal chain and is certainly...

Submitted by Bob Pank#
Published 01 February 2012

Quality is the best policy


Despite all the changes in our industry at the moment – and maybe because of them – quality is more important than ever. HD has become the production standard norm. Why have audiences embraced HD so enthusiastically? Because it looks and sounds great. If you have a 42” or bigger screen in your home then the difference between SD and HD is obvious t...

Submitted by Bob Pank#
Published 01 February 2012

Modular Studio Design for the BBC New Broadcasting House...


In an uncertain World with constantly changing demands and technical formats it is very difficult to plan and build a large facility that will be absolutely fit for purpose when it is finished. This was especially true of the BBC when it considered the needs of New Broadcasting House. Munro Acoustics was given the task of developing a completely mo...

Submitted by Bob Pank#
Published 01 February 2012

Grading across the Atlantic


In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#
Published 01 February 2012

So why bother with training?


Joseph Turner, the famous British painter (1775 to 1851) studied at the Royal College of Art from 1789 until his first exhibition at the Academy in 1793. Rembrandt (1606 to 1669) studied first with the famous painter Jacob van Swanenburgh and then with Pieter Lastman. Young talented artists need guidance from experienced and talented teachers to he...

Submitted by Bob Pank#
Published 01 February 2012

Convergence Grading for Stereoscopic 3D Broadcast with Da...


After soldiering through a long run of freelance work in Soho, I had a couple of days off. I thought, “It’ll be nice to relax a little bit,” which is when I got the call. “We have this project with quite a tight turnaround, a couple of days to deliver 75 minutes worth of 3D.” I told them to hold on — this would be my first 3D job. They replied, “It...

Submitted by Bob Pank#
Published 01 January 2012

Commercial break


The first commercial to be shown on British television was for Gibbs SR toothpaste, transmitted at 20.12 on 22 September, 1955. Back then, according to Lord Thomson, the founder of Scottish Television, commercial television was “a licence to print money”. The first ad I remember was from around 1960. A bloke in a trenchcoat and hat – not cause for...

Submitted by Bob Pank#
Published 01 January 2012

The best job of the year so far!


I'm very nostalgic. Blame it on too much Austen and Bronte at a young age. I love photographs, how they pinpoint a moment in time that you can never reclaim. Especially spontaneous photos that capture just how you were feeling, (no matter how unflattering it is!). I also have a habit of reflecting on the past, looking at where I was, what I was doi...

Submitted by Bob Pank#
Published 01 January 2012

Reaching for 3D


From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#
Published 01 January 2012

Putting the Realism into Reality Television


“Reality television’ as a category of programming emerged in the late 1990s with the introduction of shows that attempted to portray real people responding to real challenges under more or less continual public gaze. Unlike sport, where the focus is primarily on physical skills and endurance, reality television shows place their participants in a w...

Submitted by Bob Pank#
Published 01 January 2012

tv-bay Questions


Name & Title?Doug Garside, Chief Engineer at Edit 19 Ltd. based in ManchesterWho are you? (about yourself and who you work for)?As a teenage performer, I attended Manchester Youth Theatre for two years running and appeared in numerous amateur and college productions, including once being naked on stage at a catholic college! Having completed my A l...

Submitted by Bob Pank#
Published 01 December 2011

Following the alien route of a freelancer


I don't like mushrooms. Slugs of the culinary world. Growing up I was forced to eat them (apparently they're good for you?), but now, at the grand old age of 19, I have to confess that I still don't like mushrooms. When I first started work experience, I had no idea what I was doing, where it would lead or what I enjoyed or not. Also, as I very rar...

Submitted by Bob Pank#
Published 01 December 2011