KitPlus | Articles

Making an advert with the Blackmagic Cinema Camera

by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn

Published 01 September 2013

Facilis TerraBlock tops the charts for T-Series

Issue 80 - August 2013 Founded 24 years ago, T-Series has evolved into Indias top music label, representing more than 1,482 artists over the years including Indian music legends Jagjit Singh and Pankaj Udhas. The media and entertainment company also owns the rights to more than 35,000 audio titles, 2,000 video titles, 42 Hindi films and more. With...

Submitted by KitPlus

Published 01 September 2013

A preview of this years IBC with Will Strauss

by Will StraussIssue 80 - August 2013 Writing an IBC preview when the show itself is still seven weeks away is never easy. Despite best intentions, lots of exhibitors havent yet shown their hands (or are still deciding which cards to play) and many of those that have, are really not giving much away. However, fear not dear reader. The next two page...

Submitted by Will Strauss#

Published 01 September 2013

Televising Swan Lake in live 3D from St Petersburg

by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor

Published 01 August 2013

Helping prevent photosensitive epilepsy

by Dr Mark HodgettsIssue 79 - July 2013 Photosensitivity is sensitivity to flickering or intermittent light stimulation and visual patterns. It is a condition which affects approximately one in four thousand people. A number of young people have this sensitivity but have not yet had a seizure and therefore have not been diagnosed with the condition...

Submitted by Mark Hodgetts

Published 01 August 2013

A cinematic makeover with Blackmagic Design

With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. “Finally, an affordable acquisition tool that doesn’t compromise on image quality,” he recalled. “When I got the camera, I carried out some tests with a series of Carl Zeiss ZF.2 and Nik...

Submitted by Mark Linnhoff

Published 01 July 2013

Alice Chants final term: Following the Ravensbourne 3

The final term of a degree is going to be challenging, but what an amazing learning curve I have been on. I have had the opportunity to work with some great people on various projects and have been able to further develop my skills as a Director. My main project is an experimental film of which I wanted to showcase my ideas and a concept, without t...

Submitted by Alice Chant

Published 01 July 2013

Preparing for the future in television and film

“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#

Published 01 July 2013

Changing the art of Chroma Key

ChromaKey technology has been used for decades in TV and film studios to composite images or footage into a shot using green and blue screen backdrops. Although used on multi-million dollar movies, such as AVATAR and used all around the world in News rooms, conventional ‘Fabric’ ChromaKey technology requires Kilowatts of lighting, hours of setup ti...

Submitted by Rod Aaron Gammons

Published 01 June 2013

Loudness: What happens now if my work is not compliant?

Now that loudness is a mandatory requirement in the United States, Europe, and much of the rest of the world, it’s not so much a question of when organizations will begin to comply, but how?1. Now the standards are in place, what happens now if my work is not compliant?There are varying repercussions for noncompliance, depending where you work and...

Submitted by Jon Schorah

Published 01 June 2013

Dick Hobbs remembers the BBC Television Centre

I am writing this column the day after the last news programme was transmitted from BBC Television Centre, and by the time you read it the place will be more or less moribund. Which is sad. My first experience of Television Centre was – frighteningly – 40 years ago when I went to a recording of Andr Previn’s Music Night in TC1. It was a Rachmaninov...

Submitted by Bogdan Frusina

Published 01 May 2013

Creating a feature-rich subscriber-based OTT entertainmen...

TV Everywhere has become a way of life in the Nordic market, where every major broadcaster has succeeded in taking its services over the top and into the online video space. One of those broadcasters – pan-Nordic pay-TV channel provider C More Entertainment – has offered Web TV services for years through its online video portal. Competition for vie...

Submitted by Helge Hoibraaten

Published 01 May 2013

Live from the supermarket car park

What’s Cooking? is the new daily daytime TV show beamed from a temporary studio in the car park of a supermarket. As chefs prepare dishes live on air, a roving camera crew relays pictures from the aisles of the shop while Channel 4 viewers interact with the presenters and cooks via social media. Produced by Superhero TV, technical integration and i...

Submitted by Kieron Seth#

Published 01 May 2013

Rock steady support for Duran Duran

When Den Lennie was asked to be DP for a Duran Duran live concert in the Manchester MEN Arena last year, he was looking for some solid heavy duty camera support. His choice fell on a range of 2575 and 2060 fluid heads by OConnor. The team shot the two-hour gig very unconventionally with 14 Sony PMW-F3 manned, five fixed camera positions and another...

Submitted by Den Lennie

Published 01 April 2013

Tv-bay questions with Richard Hooking

Richard Hookings Q&A for TV-BayDifferent Animals - The Polecam Full Rig owner opHow did you get in to the Broadcast business?When I was 12 I went to a Michael Faraday lecture; they were demonstrating the latest TV technology of the day– how they made Superman fly with green screen, how they did the weather - I got the bug, and from then on I wanted...

Submitted by KitPlus

Published 01 April 2013