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Still unsure about cloud editing? Read this..


by Stephen Streater Issue 97 - January 2015 For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won\'t cloud edit...

Submitted by Stephen Streater
Published 01 February 2015

Fixing it in parallel


by Daniele Siragusano Issue 97 - January 2015 Whenever something went wrong in television production, the cry was always "We\'ll fix it in post". Except that there was rarely enough time, in a broadcast schedule, to fix anything. Today we expect every programme - even routine television programmes like daily dramas - to look and sound perfect. But...

Submitted by Daniele Siragusano
Published 01 February 2015

Four must-haves for modern media workflows: Enhancing you...


by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet
Published 01 February 2015

Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

Heavy duty LCD Transportation


Over the last few years we have seen the release of hundreds of new plasma LCDs LEDs and now 3D LED with new models from new manufactures being released with what seems like every day. The huge growth in the sector has driven down the cost of production allowing companies to be very creative in how and which way to use the screens. For example we n...

Submitted by Bob Pank#
Published 01 January 2015

All I want for Christmas...


by Peter Savage Issue 96 - December 2014 As if no time has passed since last Christmas, the festive season is upon us and Xmas cheer is all around. Sticking with our own tradition of a themed view on the broadcast industry specifically, and the wider economy in general, here are our wish lists for Santa. Five wants A good story about the banking...

Submitted by KitPlus
Published 01 January 2015

#TVFUTURES


by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome
Published 01 January 2015

Emphasising Television in streaming television


by James Gilbert Issue 96 - December 2014 There have been all sorts of doom and gloom stories, over a decade or more, about how television is changing. Budgets are being slashed, workflows are becoming automated, and standard IT hardware is taking over from bespoke broadcast kit. But despite all this, television still looks good. If you watch telev...

Submitted by James Gilbert
Published 01 January 2015

BAH! Humbug


by Dick Hobbs Issue 96 - December 2014 Yes, it's that time of year again. When, if you are a commercial broadcaster, you start coining it in with the Christmas commercials. Presumably if you are a director or a post house, you are already pitching for next year's blockbusters. They never have the look of something that has been knocked up on the sp...

Submitted by Dick Hobbs.
Published 01 January 2015

#TVFUTURES


by Simon Bull Issue 95 - November 2014 Since introducing myself to Kitplus readers in the tv-bay Magazine back in September its fair to say that now, things are in full swing. The BSc Television & Broadcasting is a degree that aims to replicate industry standard production planning, content and deadlines and in the first few weeks we have been thru...

Submitted by Simon Bull
Published 01 December 2014

File-based QC systems for small and mid-sized media organ...


by Vikas Singhal Issue 95 - November 2014 Companies across the media value chain have departed the tape-based realm and migrated to file-based workflows. In making this transition, they left behind common, well-established technologies that had ensured the smooth flow of content from creation through to delivery. In their place, companies implement...

Submitted by Vikas Singhal
Published 01 December 2014

An artist gets bored of the same colour palette


by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant
Published 01 December 2014

Rotolight ANOVA lights


Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus
Published 01 December 2014

Manipulate and Edit


Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#
Published 01 November 2014

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014