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Fast 3D

It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#

Published 01 November 2011

Top ten from a top gun

Another IBC has come and gone. I peaked early: for me the highlight came before we even set out for Amsterdam when, as I wrote here last month, I met Sir David Attenborough, winner of the International Honour for Excellence. On site two things stand out. One was a delightful lunch, courtesy of my old and esteemed friend Roger Thornton of Quantel. I...

Submitted by Bob Pank#

Published 01 November 2011

Soooooo. IBC

Soooooo. IBC!For those of you who don't know (and obviously only read tv-bay for my column) IBC is the world's second largest broadcast convention, held in Amsterdam. As previously mentioned in last months' column, I went with tv-bay. It was my first convention of any kind, and I was in no way prepared for the sheer scale of the event. This thing i...

Submitted by Bob Pank#

Published 01 November 2011

Streamlining Final Delivery with an All-in-One Solution

Market differentiation is a challenge for professional content creators and post facilities, especially as budgets wane and client expectations for high-quality content rise. Over the last two decades, the business has changed dramatically with the transition to digital workflows. A few years ago you’d have to invest in tape decks, build a large in...

Submitted by Bob Pank#

Published 01 October 2011

Operating at the cellular level

The live coverage of outside broadcast events, news or sports has always been an expensive and logistically cumbersome business. The need to invest millions of pounds in specialist satellite trucks can take years to recoup, putting the ability to service live sports contracts beyond the economy of a very few suppliers. Even the live presentation of...

Submitted by Bob Pank#

Published 01 September 2011

Ultra-slow motion in live broadcast

What is ultra-slow motion?Slow motion has been around since the beginnings of cinematography and broadcasting, but ultra-slow motion for broadcast is quite a recent development. It’s only been possible since the advent of super high-speed video cameras, which were initially developed for scientific use. Slow motion can be produced with conventional...

Submitted by Bob Pank#

Published 01 September 2011

What is high-performance data transport and why is it imp...

What is high-performance data transport and why is it important?The advent of digital content has led major media companies and their IT partners to design fully-integrated systems for the creation, distribution, repurposing and archiving of their file-based content. While most processes associated with content production and distribution have tran...

Submitted by Bob Pank#

Published 01 August 2011

Question and Answer with Trilogy

Question 1: What bandwidth would I need to allow on my network to reliably support IP communications and what other issues would I need to take into consideration?The bandwidth required to support IP based intercom or talkback communications really depends on the quality of audio you want to achieve. Therefore the higher the quality, the greater th...

Submitted by Kieron Seth#

Published 01 August 2011

On the level

In shooting 3D you naturally have two cameras and two lenses: albeit, there are some weird and wonderful single lens/single sensor contraptions out there. This usually means there are any number of ways each camera lens combination could be producing images with minor are major signal level differences. If these level differences are not dealt with...

Submitted by Bob Pank#

Published 01 July 2011

Digital media monitoring

What is digital media monitoring?Most media delivery chains now include a combination of IP and broadcast stages, regardless of the viewing platform of the end user. This combination of technologies into a hybrid delivery chain has thrown up new complications in terms of monitoring and analysis. Before the introduction of IP technologies into media...

Submitted by Bob Pank#

Published 01 July 2011

Real practicality in test and measurement

We are quite an unusual company, a unique hybrid. On one hand Flotsam Films is an independent producer but we also provide full production capabilities and consultancy for other filmmakers. The other part of our business is our own post production facility in London, used by our in-house productions and by other external clients, particularly indep...

Submitted by Bob Pank#

Published 01 July 2011

Its good to talk

Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

NAB and the format wars

By the time you read this article you may be sitting comfortably on the plane ready to take-off to Vegas. Every year the show comes at a strange time – just after the shooting season has started in the northern hemisphere. As a result, most of the camera companies at the show will have already sorted their purchasing needs for the year ahead, espec...

Submitted by Bob Pank#

Published 01 May 2011

The #BVEXPO Great Experiment

NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#

Published 01 April 2011

3D in 2011

Another year and it’s time for a fresh look at the S3D market. Each year the CES Show that occupies the Las Vegas Convention Center with, in 2011, an unexpectedly high number of attendees (140,000) keen to see what’s new. At CES 2010 S3D was THE thing, but a year later the excitement had moved on to the nebulous market of mobile devices OTT and, pr...

Submitted by Bob Pank#

Published 01 March 2011