KitPlus | Articles

Automating intelligence across the signal flow

Back when broadcasters maintained small channel lineups, monitoring was a simple task that could be performed cost-effectively by station staff. The manual system-wide monitoring of critical audio and video parameters required dedicated staff all along the broadcast chain, but the investment typically could be justified. However, even with dedicate...

Submitted by Bob Pank#

Published 01 August 2012

A live video streaming advocate

As you may or may not know, I’m a bit of a live video streaming advocate. I love the idea of being able to distribute high quality content via the internet, without the need for huge budgets, licensing, and all the hassle involved more conventional means. I do a lot of live streaming from small venues, and by their very nature is difficult to fit m...

Submitted by Bob Pank#

Published 01 July 2012

Capturing Eagles In Flight

Capturing Eagles In FlightAs a highly regarded wildlife cameraman, Mateo Willis is in great demand from blue chip broadcasters such as the BBC and the Discovery Channel, which employ him to work on many of their most prestigious nature documentaries. Mateo’s speciality is long-lens work and he often spends large amounts of time in remote locations...

Submitted by Kieron Seth#

Published 01 July 2012

SOCIAL FINANCE AND LAS VEGAS : A WORLD APART OR ARE THEY...

Peter Savage draws parallels between funding for social benefit and the razzamatazz of NAB in Las Vegas. Last month we discussed crowdfunding in the context of TV and film production. It’s funding again this month because, during our ‘Look, Listen, Experience’ speaking tour, several people asked me whether social and/or community funding are potent...

Submitted by Bob Pank#

Published 01 June 2012

3D audio - a dimension worth adding

3D audio - a dimension worth addingThose of you that have just returned from NAB may have been surprised to witness the distinct lack of stereo 3D hype during the show. I certainly was. After several conventions in a row when stereoscopy seemed to unnecessarily dominate the press announcements, the halls and some of the chatter, 2012 finally saw th...

Submitted by Will Strauss#

Published 01 June 2012

Eye to Eye: Video over IP

Live video streaming via Internet Protocol is perhaps most familiar in the form of Skype’s free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via one’s own...

Submitted by Bob Pank#

Published 01 May 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

BVE 2012 in no particular order.......

The big story at BVE 2012 was BVE 2013. With the Earls Court exhibition site scheduled for redevelopment, BVE relocates next year to the ExCel exhibition site in London’s Docklands. The distance is only about 10 miles but, in the minds of many BVE exhibitors, the move is comparable with moving the NAB Convention to the Mississippi Delta. If you rea...

Submitted by Bob Pank#

Published 01 April 2012

ARRI LED technology

With a growing range of LED products, ARRI is providing industry professionals with all of the benefits of using a Low Energy Lighting source with familiar characteristics. The L-Series LED Fresnel fixtures are so close to their conventional equivalents that they create a like-for-like replacement of traditional Fresnels with LED-based light engine...

Submitted by Bob Pank#

Published 01 March 2012

Ask the expert exhibition travel

There are too many trade shows and they are all expensive. Why should I travel to them?You probably should not attempt to travel to every show on the calendar, even if it was possible. It would take all your time and blow the budget out of the water. But that does not mean you should turn your back on shows altogether. They are still the primary wa...

Submitted by Bob Pank#

Published 01 March 2012

Eye to Eye: Whats new in lighting

The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short over...

Submitted by Bob Pank#

Published 01 March 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Modular Studio Design for the BBC New Broadcasting House...

In an uncertain World with constantly changing demands and technical formats it is very difficult to plan and build a large facility that will be absolutely fit for purpose when it is finished. This was especially true of the BBC when it considered the needs of New Broadcasting House. Munro Acoustics was given the task of developing a completely mo...

Submitted by Bob Pank#

Published 01 February 2012

Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

Choosing a Mixer for 3D Events

VIDEOFORCE is a company with modern ideas and a fresh outlook. After starting in Linkping in 1999, it added a new Stockholm base in 2010. The company specialises in video for events providing technical equipment such as cameras, flightpacks, LED displays, projectors, screens, vision mixers and converters as well as the operations and production per...

Submitted by Bob Pank#

Published 01 January 2012