KitPlus | Articles

Still unsure about cloud editing? Read this..

by Stephen Streater Issue 97 - January 2015 For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won\'t cloud edit...

Submitted by Stephen Streater

Published 01 February 2015

An artist gets bored of the same colour palette

by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant

Published 01 December 2014

Sony PXW-FS7

by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman

Published 01 November 2014

In the Field

by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown

Published 01 October 2014

Lighting for virtual sets

by Mike Perry Issue 92 - August 2014 We often get asked why lighting for a virtual set is not working well. The client has fitted a virtual studio painted with domestic green paint and fitted with presumably suitable lights, but the camera just can’t get a decent image. Where’s it all going wrong? Well, to answer questions about lighting a virtual...

Submitted by Mike Perry

Published 01 September 2014

Is bingeing the new black?

by Dick Hobbs Issue 92 - August 2014 Recently BBC4 has been showing the classic 1985 television drama Edge of Darkness. Troy Kennedy Martin masterfully captured the nuclear paranoia of the era, at a time when the Thatcher government was making a virtue out of secrecy. The idea that global forces were casually trading in weapons-grade material and w...

Submitted by Dick Hobbs.

Published 01 September 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

Local TV cuts the mustard

by Neil Hutchins Issue 89 - May 2014 Monday 24th March was a notable date in the roll-out of Local TV across the UK, as it saw the successful launch of the second of the new channels. Mustard TV, based in Norwich and named in recognition of an historic connection with the local Colman family, followed Estuary TV as a new broadcaster on Freeview Cha...

Submitted by Neil Hutchins#

Published 01 June 2014

Return to original programming for channel 5

Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus

Published 01 May 2014

From the frontline to the finish line

by Paul Sargeant Issue 88 - April 2014 Dakar Rally: Frontline to Finish Line first hit our screens on 16th April 2013. It followed the exciting journey of a team of seriously injured servicemen from Britain and the US as they took on the worlds toughest rally. The Dakar Rally is the ultimate test of man and machine versus the elements as drivers ra...

Submitted by Paul Sargeant#

Published 01 May 2014

Leading digital cinematography seminar with Matt Siegel

by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel

Published 01 December 2013

Royal College of Art targets loudness with NUGEN Audio

by Mike WyeldIssue 83 - November 2013 In the world of cinema and filmmaking I like to imagine the UK\'s Royal College of Art needs no introduction. Weve had some amazing alumni; Director Sir Ridley Scott, novelist Len Deighton, and Sgt Pepper artist Peter Blake have all walked the halls. Vacuum designer James Dyson imagined his revolutionary vacuum...

Submitted by Mike Wyeld

Published 01 December 2013

A runaway success at Graduate Fashion Week with Blackmagi...

Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus

Published 01 August 2013

4K is bigger than size alone

by Bob PankIssue 79 - July 2013 It seems that numbers are a great eye-catcher and 4K was everywhere at NAB, and will be at IBC too. Here, of course, we are talking about a TV system with four times the number of pixels of HD, namely a picture area of 3840x2160 for TV, or for cinema 4096x2160. At the recent BeyondHD conference in London discussion a...

Submitted by Bob Pank#

Published 01 August 2013

A cinematic makeover with Blackmagic Design

With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. “Finally, an affordable acquisition tool that doesn’t compromise on image quality,” he recalled. “When I got the camera, I carried out some tests with a series of Carl Zeiss ZF.2 and Nik...

Submitted by Mark Linnhoff

Published 01 July 2013