KitPlus | Articles

Modernizing the Cutting Edge

Over the last decade, streaming as a medium has seen tremendous growth. Services like Netflix, Hulu, and Amazon Video are no longer just post-hoc distributors of broadcast television content, they have become content creators and are producing some of the most well received "television\" content of the past few years. For example, at the 2013 Prime...

Submitted by Myles Carter - new

Published 19 May 2017

What is the future of video contribution?

What is the definition of Video Contribution? Is it the same as live streaming? Live Streaming is a generic term and can apply to any part of the process from capture on the camera where video is immediately streamed, to the process of playout on any device. Playout is a huge subject in itself. However "video contribution\" is considered the termi...

Submitted by Mark Andrews - new

Published 04 April 2017

Pushing the Boundaries for OTT

OTT video consumption is gaining traction in Western Europe, with 55 percent of UK broadband households and 51 percent of homes in France watching TV programming and movies online, according to Parks Associates. OTT subscriptions are especially popular with today\'s Millennial population, as Parks Associates found that 23 percent of Millennial head...

Submitted by Yaniv Ben-Soussan -new

Published 04 April 2017

Streaming and the need for continued innovation

In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as t...

Submitted by Jon Schorah - new

Published 04 April 2017

A transformation in aquisition technology

KitPlus spoke with Malcolm Harland of Garland Partners to find out how the requirements and capabilities of acquisition technologies have changed since the early 2000s and what the state of play now is. Back in 2004, when you launched Garland Partners, the market was focused on SD and ASI. Since then the pace of change has been immense. Is growth d...

Submitted by Malcolm Harland

Published 15 March 2017

What are the challenges of AoIP

At the setup of a recent Outside Broadcast (OB), I was privy to an attempt to pass a signal across two independent Audio over IP (AoIP) enabled trucks. In an SDI world, this bridge would have been as simple as coupling two BNC cables together, but here the engineers quipped about the additional and sometimes challenging processes of connecting one...

Submitted by Craig Newbury

Published 15 March 2017

Mr MXF thinks the future is made of components

The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin

Published 15 February 2017

Taking a hybrid approach to the SDI/IP transistion

Broadcasters are not newcomers to technological transitions. As an industry, we\'ve survived analogue to digital, baseband to file-based workflows, SDTV to HDTV and now 4KUHD resolution, not to mention weathering a barrage of new compression formats. Today, we\'re facing one of the most dramatic transformations we\'ve ever undergone: SDI to IP. Unl...

Submitted by Matthew Coleman

Published 07 December 2016

A changing media industry

Q. How is the media industry changing today? The media industry, especially the digital TV industry, is going through some revolutionary changes both in terms of how video is delivered and how it is watched. Until a few years ago, consumers watched TV programs that were delivered via a dedicated and controlled network. Content was aggregated and de...

Submitted by Anupama Anantharaman

Published 07 December 2016

Heading towards brightness regulations

I like IBC in the same way that I find NAB grating. Maybe I have been living in the UK for too long, but the bright morning Amsterdam sun breaking through clouds and reflecting off the canal while fit young things on bicycles pedal to college; snapchatting with their friends and avoiding collisions with practised ease has a certain charm. You just...

Submitted by Bruce Devlin

Published 10 November 2016

Self contained and expandable commentary systems

Adopting innovative technologies and techniques is always fundamental to the control of capital and operational costs - the key to broadcast facilities or technology providers gaining competitive advantage. Sports commentary has continually suffered from high operational costs, whether at the sports venue itself or "off-glass", due to the need for...

Submitted by Chris Collings

Published 26 September 2016

Loudness Measurement and Control Strategies For The UK Br...

by Manik Gupta Issue 113 - May 2016 A common issue that today\'s broadcast ,cable, and satellite operators face is inconsistent loudness. Over the years, the loudness levels of some commercials have been deliberately increased to catch audiences\' attention. Ultimately, inconsistent loudness between regular programming and advertisements has discou...

Submitted by Manik Gupta

Published 13 May 2016

Square-division versus two-sample interleave

by Kevin Salvidge Issue 110 - February 2016 Square-division versus two-sample interleaveFollowing on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluat...

Submitted by Kevin Salvidge

Published 16 March 2016

How to Deliver Live and VOD UHD Content With Minimum Band...

by Thierry Fautier Issue 108 - December 2015 Consumers are lighting the path toward worldwide acceptance of Ultra HD (UHD). Recent research from Eutelsat Communications revealed that consumers are willing to pay up to 10 a month to benefit from the increased sharpness, immersion and vivid color that UHD content offers. Theyre also willing to invest...

Submitted by Thierry Fautier

Published 17 December 2015

The 4K Conundrum

by Eric Achtmann Issue 108 - December 2015 2015 has confirmed once more that 4K remains the TV industrys Holy Grail. While 4K TV screens are becoming more affordable and Netflix, Amazon Prime and even YouTube are beginning to offer some 4K content, mass adoption is still sluggish as the increases in bandwidth required for distribution make 4K busin...

Submitted by Eric Achtmann

Published 17 December 2015