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Building Out Storage for UHD

As the next big thing in video, from capture and production through to display in the home, 4K and ultra-high-definition (UHD) video offers many benefits. Most notable of these is an eightfold increase in resolution as compared with 1080i, the established standard for HD broadcast. A number of other significant enhancements to image quality are als...

Submitted by Andy Warman

Published 14 June 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

Class: Multi - Channel Audio

by Bruce Devlin Issue 113 - May 2016 If you\'re given a media file and it has 16 channels of audio then life can quickly become the opposite of boring, especially if it has to go to air quickly and the supplier is new. Put simply there are many ways in which the different channels can be laid out in the file, but there isn\'t a single overall stand...

Submitted by Bruce Devlin

Published 13 May 2016

Females In The Broadcasting Industry

by Emma Clifford Issue 113 - May 2016 You\'re hiring. You\'re reviewing CVs.You\'re not bothered about names are you?What matters are skills, experience and the competencies of the candidates, right?Wrong! You probably have unconscious bias. A recent US study used 100 STEM professors (Science, Technology, Engineering and Maths) to review CVs. But h...

Submitted by Emma Clifford

Published 13 May 2016

Sin City

by Dick Hobbs Issue 113 - May 2016 I am writing this is the immediate aftermath of yet another NAB. For me that means a week of walking around,talking to a wide variety of people and taking the temperature of the industry. This year I developed a theory that there were three sorts of companies exhibiting at NAB,or at least three sorts of spokesmen...

Submitted by Dick Hobbs.

Published 13 May 2016

The World Of Risk

by Leighton Chenery Issue 112 - April 2016 For those who follow the World Economic Forum in Davos, the forum provides a fascinating insight into the minds of our top business leaders\' and politicians. Risk was again the topic of the day. From Brexit to China\'s debt issues, from migration to food shortage, oil price to climate change, the discuss...

Submitted by Leighton Chenery

Published 25 April 2016

Shooting the Extreme

by Mel Noonan Issue 112 - April 2016 Steffan Hewitt started covering extreme sports as a cameraman and learnt to ski backwards while shooting skiers in front of him. Surprisingly he survived, and went on to design and use a lightweight pole with an early SD minicam slung at the top operated via a remote pan and tilt head from the other end. He call...

Submitted by Mel Noonan

Published 25 April 2016

SDI, IP, Uncompressed and Compressed

by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams

Published 25 April 2016

Recreating a Masterpiece

by Stuart Harris Issue 112 - April 2016 Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wa...

Submitted by Stuart Harris

Published 25 April 2016

The Danish Girl

by Adam Glasman Issue 112 - April 2016 Colorist Adam Glasman reveals how he was inspired by the classics to grade Oscar nominated transgender pioneer biopic, "The Danish Girl". Based on the book by David Ebershoff, "The Danish Girl", which has received four Oscar nominations this year, is the remarkable love story inspired by the lives of Lili Elbe...

Submitted by Adam Glasman

Published 25 April 2016

The secret world of the underwriter

Am I a good or bad risk? And how much do Insurers really make? In this edition I will be given you a peek behind the underwriter's desk and an insight into how they go about making their money. I think that it is fair to say that all of us feel a little bit aggrieved paying out premiums, particularly those of us who don't make claims. It is certain...

Submitted by Leighton Chenery

Published 01 April 2016

The secrets behind live streaming

I made my on air debut at BVE 2016, taking alongside industry legend Larry Jordan. We explored the challenges and benefits of streaming online video and audio. You can find the discussion online, where we cover:When to choose streaming your video and offering it for download When to consider streaming video live? How to monetize your online vide...

Submitted by Thom Holliday

Published 01 April 2016

Troubleshooting - Top Tips to Make Files Work

by Bruce Devlin Issue 110 - February 2016 Troubleshooting - Top Tips to Make Files WorkSo, you built yourself the world's most perfect, IT-based file workflow and you have a state-of-the-art media facility? Congratulations, have a beer, but at some point it's going to go wrong!Given that fewer than 50% of support cases in any company that I have wo...

Submitted by Bruce Devlin

Published 16 March 2016

Out with the new, in with the old

by Peter Savage Issue 110 - February 2016 Out with the new, in with the oldGetting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter SavageFor consumers and professionals alike, a digital camera offers convenience and immediacy. But when youre using one to shoot a movie or TV dr...

Submitted by Peter Savage 2

Published 16 March 2016