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Issue 94 - October 2014The most complete, compact multimedia studio in the World NewTek™ have unveiled TriCaster Mini™––the world’s most complete and compact multimedia studio. The ultra-portable system allows anyone who doesn’t speak or understand the technical language of video production or broadcasting to transform an ordinary presentation into...

Submitted by Will Strauss#

Published 01 November 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Product Spotlighting

Issue 93 - September 2014The changing face of on-camera LED LightingIBC 2014, Europe’s largest and most anticipated Broadcast show will see the launch of the latest evolution of on-camera LED Lighting systems, in the form of the ROTOLIGHT NEO. IBC has previously seen the launch of the Multi-Award winning Rotolight RL48 Ring light, Rotolight ANOVA a...

Submitted by KitPlus

Published 01 October 2014

What Directors do and dont do

by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

Lighting for virtual sets

by Mike Perry Issue 92 - August 2014 We often get asked why lighting for a virtual set is not working well. The client has fitted a virtual studio painted with domestic green paint and fitted with presumably suitable lights, but the camera just can’t get a decent image. Where’s it all going wrong? Well, to answer questions about lighting a virtual...

Submitted by Mike Perry

Published 01 September 2014

LED lighting comes of age

by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

PAGlink: Reviewed

by Chris Newton Issue 86 - February 2014 Chris Newton is a London based photographer who has taken on the challenge of adding video production to his repertoire. As a photographer I realized I needed to add video to my skill base, so I have been honing my video skills for the last couple of years. Along side commissions, the bulk of my work is for...

Submitted by Chris Newton

Published 01 March 2014

Leading digital cinematography seminar with Matt Siegel

by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel

Published 01 December 2013

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

Rotolight expand new range of award winning Anova flood l...

Issue 81 - September 2013 Following the successful launch of the award winning ANOVA LED Floodlight last year, IBC 2013 sees the release of the ANOVA EcoFlood Version 2 (Bi-Colour LED system) and the ANOVA SOLO Single Colour Flood lights available in 5600K (daylight) or 3200K (tungsten). The expansion of the ANOVA Range of products to be premiered...

Submitted by KitPlus

Published 01 October 2013

Why test and measurement is for real life, not just for e...

by Will StraussIssue 79 - July 2013 Thanks to its long-standing association with virtually incomprehensible acronyms, dark machine rooms and (lets face it) engineers with unruly beards, the subject of Test and Measurement (T&M) always gets a bit of bum rap. Yet, for all the pre-conceptions, it is a hugely important part of the production and broadc...

Submitted by Will Strauss#

Published 01 August 2013

Dick Hobbs looks at intellectual property rights

Troll onby Dick HobbsIn my column last month I wrote about the Tolkein sort of troll. This month I want to look at another sort: the ones who acquire portfolios of patents not with the intention of making anything useful, but simply to try to extort money from those who just want to earn an honest buck. I am sure that every one of you reading this...

Submitted by Kieron Seth#

Published 01 April 2013

Creating the illusion: Green screen lighting

The illusionIf good cinematography is about creating the illusion of three dimensional reality, on a two dimensional screen. Working to create reality using background plates offers a whole new variety of technical issues that need to be addressed with skill if it is going to be successful. In this article I will touch on some of the basic issues t...

Submitted by David Morphy

Published 01 March 2013

Part 2 following the Ravensbourne 3

Last month in the intro issue I described what I did in the past as a hobby and a hopeful branch of my career. Time-lapse is an integral part of what I do and I am eager to develop my skills in it. I had such a chance at the end of October when I got my hands on a ‘Dynamic Perception Stage Zero’ 6ft Dolly track with MX2 Controller. I felt this was...

Submitted by Kieron Seth#

Published 01 December 2012

Big Fish, Little Fish, Camera-Top-Box

Big Fish, Little Fish, Camera-Top-BoxFor whole swathes of people within the television industry the concept of digital production - and what we generally refer to as ‘going tapeless’ – is probably now considered slightly old hat. Broadcasters, engineers, camera people and other early adopters of technology are so au fait with digital production the...

Submitted by Will Strauss#

Published 01 July 2012