KitPlus | Articles

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

tv-bay Questions

Anthony Bairstow – Senior Video Editor at MTV and Editor of Two and Two, BAFTA nominated short. Who are you?I graduated from the BA Film & TV course at Westminster University and gradually found my way into the TV industry, eventually working at MTV Networks Europe. However, I have always had numerous side projects on the go, one of the latest bein...

Submitted by Kieron Seth#

Published 01 April 2012

3D Diaries Cameras: more for less

http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#

Published 01 March 2012

Canon C300 Review

Canon's highly anticipated C300 camera is their first offering to the 'digital cinema' market. The camera was released amid a meticulously planned marketing campaign, which created a hype not seen since the Red One camera's introduction in 2006. Canon have since taken the camera on a global roadshow showcasing to all potential suitors, of which the...

Submitted by Bob Pank#

Published 01 March 2012

Andrew McLeans Guide to Lenses

Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#

Published 01 March 2012

2011: 3D Make or break?

Last year was predicted to be the year when 3D would leap forward or flop. History is littered with short periods of interest and development only for 3D to drop off the scene again. 3D Diaries has maintained that this time it’s different as now nearly all the right technologies are available – the only missing link being a practical autostereoscop...

Submitted by Bob Pank#

Published 01 February 2012

Stereoscopic 3D legalisation

Since its foundation in 1989, ONSIGHT has expanded from a London-based broadcast hire business into a full-service production facilities company. Also located at Shepperton Studios, ONSIGHT specialises in film and television production, post production and distribution. ONSIGHT’s activity encompasses every link in the signal chain and is certainly...

Submitted by Bob Pank#

Published 01 February 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012

2011 wasnt all that bad for TV & Commercials, was it?...

2011 was pretty depressing, reading the paper or watching the news was a miserable experience, and all in all, those who still have a job, or have a business should apparently be chuffed to bits!Manufacturers have had a torrid 2011 with various disasters striking key supply lines around the world, meaning shortage of tape stock, and now hard drives...

Submitted by Bob Pank#

Published 01 February 2012

3D USER REPORT: VIDEO 18 AND 25 FLUID HEADS

An atmospheric sunrise over the Alps, a small church in the middle of blooming trees, perfect camera pans across turquoise-blue mountain lakes and sun-drenched vineyards: The Austrian director and (3D-) cinematographer Andreas Meschuh worked for his promotional film "Styria – The Green Heart of Austria\" with the Video 18 and Video 25 fluid heads f...

Submitted by Bob Pank#

Published 01 January 2012

Headache-free 3D

With over 30 broadcast channels now offering 3D programmes, and cinemas in practically every major town and city equipped to show 3D films, demand for stereoscopic content is increasing rapidly. Display manufacturers are now responding to this growing market with various new technologies intended to improve the viewing experience. A useful show for...

Submitted by Bob Pank#

Published 01 January 2012

Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

LIGHTING FOR 3D PRODUCTION

Richard Walch, a photographer and DSLR film-maker from Germany, usually makes spectacular productions dealing with extreme sports. For a 3D special supplement in one of the largest German newspapers, Richard Walch photographed Germany's most famous puppet theatre: The "Augsburger Puppenkiste". The troop is internationally known for its films includ...

Submitted by Bob Pank#

Published 01 January 2012

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

Putting the Realism into Reality Television

“Reality television’ as a category of programming emerged in the late 1990s with the introduction of shows that attempted to portray real people responding to real challenges under more or less continual public gaze. Unlike sport, where the focus is primarily on physical skills and endurance, reality television shows place their participants in a w...

Submitted by Bob Pank#

Published 01 January 2012