KitPlus | Articles

A soft shift in Monitoring Solutions

by Craig Newbury Issue 102 - June 2015 The technology supporting the media industry is evolving at a furious pace, making system flexibility a critical characteristic of any new equipment or infrastructure investment. Broadcasters and other media companies must adapt quickly if they are to benefit from changing content creation, management, and del...

Submitted by Craig Newbury

Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster

by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough

Published 01 June 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

Audio basics

by Larry Jordan Issue 101 - May 2015 It is an absolutely true statement that the best way to improve the quality of your image is to improve the quality of your sound. Viewers will happily watch grainy, black-and-white images and consider it "art.\" However, nothing you can say will keep them in their seats if the audio is too loud or unintelligibl...

Submitted by Larry Jordan#

Published 01 June 2015

#TVFUTURES

by Dylan Ellcome Issue 100 - April 2015 The end of my third year of BSc Television and Broadcasting at the University of Portsmouth is drawing closer, meaning the end of my time at University. Several deadlines have come and gone, and my CCI management of Script Editing has slowed down. But I still can\'t comprehend this ending, as there is still m...

Submitted by Dylan Ellcome

Published 01 May 2015

Sealife - Shooting 4k

by Kieron Seth Issue 98 - February 2015 Since the days of Jacques Cousteau and his Undersea World, marine habitats have fascinated television audiences. From 1972 to 1975 the French explorer and filmmaker brought his excitement and passion for sea life to our screens and have inspired documentary makers since. The films lay bare the lengths the cre...

Submitted by Kieron Seth#

Published 01 March 2015

The road to Sundance Film Festival

with Kivu Ruhorahoza Issue 98 - February 2015 Things of the Aimless Wanderer, the latest feature from Rwandese filmmaker Kivu Ruhorahoza (Grey Matter) is a beautifully crafted narrative about paranoia, mistrust and misunderstandings. Premiering at this year\'s Sundance Film Festival, audiences can expect an arresting film that reveals a series of c...

Submitted by Kivu Ruhorahoza

Published 01 March 2015

Bring up the bodies

by Dick Hobbs Issue 98 - February 2015 If you have even once turned on BBC television in the last couple of months, you could not fail to learn that the big blockbuster drama this winter is Wolf Hall, a television adaptation of Hilary Mantel\'s two-thirds complete trilogy about the Tudors, and Thomas Cromwell in particular. I subscribe to what seem...

Submitted by Dick Hobbs.

Published 01 March 2015

#TVFUTURES

by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome

Published 01 January 2015

EPG: Guiding content discovery

by Keith Bedford Issue 95 - November 2014 Digital TV is something that we\'ve become accustomed to, we don\'t think about how we search and select the vast volume of content that\'s now available to us, we just know that with the press of a button we can see what\'s on, record our favourite shows, series link them, select recommendations based on o...

Submitted by Keith Bedford

Published 01 December 2014

Everything you need to know about Anamorphic Lenses

by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan

Published 01 November 2014

Playing games with radio mics on location

by Richard Meredith Issue 93 - September 2014 Some people use the same radio mics year in year out for every job that they do - others hire in radio mics for every job and don’t own anything - I am in the unique (nearly) position of being able to select the most appropriate from my own hire stock, and so every project has the equipment best suited...

Submitted by Richard Meredith

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

What Directors do and dont do

by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

Lighting for virtual sets

by Mike Perry Issue 92 - August 2014 We often get asked why lighting for a virtual set is not working well. The client has fitted a virtual studio painted with domestic green paint and fitted with presumably suitable lights, but the camera just can’t get a decent image. Where’s it all going wrong? Well, to answer questions about lighting a virtual...

Submitted by Mike Perry

Published 01 September 2014