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Audio at 750mph


i London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart\'s Soho HQ which will bring even more, newly immersive, audio online. Following its expansion, 750mph now occupies around 10,000 square feet of studio space and is equipped with nine Fairlight\'s EVO modular console consoles...

Submitted by Sam Ashwell
Published 01 August 2017

IP-Based Intercom Solutions


i The broadcast market has experienced a huge change over the last decades, resulting in the need for larger and larger intercom systems. As the demands of broadcasters have grown, the central factor for manufacturers keeping up with demand has been IP. A company at the forefront of this development is RTS. In the new millennium, the company has es...

Submitted by Jon Ridel
Published 01 August 2017

Object Based Audio - The first steps


i The world of broadcast audio is about to reach new levels as we embrace the future in terms of Next Generation Audio (NGA). Although at this stage we can\'t be precise about what this will bring, we do know that some 3D Immersive formats are already under development and will find their way into broadcast production and distribution very soon. Un...

Submitted by Peter Poers
Published 01 August 2017

Is everyone a journalist these days


i Today\'s content consumers have endless viewing and streaming possibilities thanks to the advent of smart phones and tablets that allow them to watch pretty much anything they want, on the go, and away from the confines of a television screen. Those very same smartphones and tablets have also brought another revolution to the broadcast industry -...

Submitted by Rene Morch
Published 01 August 2017

The Masters of Dirt - Extreme Production


On 22nd April 2017 Inside the Masters of Dirt, the world\'s wildest unscripted motocross reality series, will launch exclusively on INSIGHT TV in 4K UHD. Produced by Masters Of Dirt (M.O.D) and XTreme Video, the series follows the adrenaline-addicted crew that produces the popular freestyle motocross arena show of the same name. Boasting upwards of...

Submitted by Rian Bester
Published 19 May 2017

Welcome to the world of filming The Island with Bear Gryl...


How do you make a polished television show worthy of broadcast on Channel 4 when the camera operators are starving, dehydrated and sleep deprived? Most of them also have no previous experience of professional filming and are more concerned with finding their next meal than making sure they\'ve got their cameras switched on ready to record. Welcome...

Submitted by Paul Scurrell
Published 19 May 2017

Is now the time to compromise on investment


It would seem on the face of it that many broadcasters and production companies are trimming spending to the bone, or at least postponing it in anticipation of more lucrative days to come. While that may seem prudent, and is in some cases a necessity, there\'s an equally valid argument that periods of economic downturn, real or perceived, are the p...

Submitted by Mike Ransome - new
Published 19 May 2017

Navigating Unfamiliar Territory


The traditional broadcast model - where TV networks play content on a linear schedule, and viewers tune in on their TV sets - is under siege. Linear TV is not going away anytime soon, but the model is becoming less and less relevant. Thanks to the rise of OTT services, viewers have become accustomed to watching content when and where they want, on...

Submitted by Vijay Sagar Vinnakota
Published 19 May 2017

Mr Cloud, as much about cashflow balance as technology


It was an ordinary Tuesday, the last day of February 2017. It was getting late in the day and I was online doing my monthly management accounts and was just finishing the data entry for a very long Invoice when refreshing the expenses Tab on my browser showed this delightful picture. Woah, I thought, someone has updated the package and not done the...

Submitted by Bruce Devlin - new
Published 04 April 2017

Being a Content Creator


When I began the Television and Broadcasting course at the University of Portsmouth, I had my mind dead-set on what I wanted to do in the world of television. More than anything, I wanted to work for Children\'s BBC, ideally as a presenter, and as I come towards the end of my second year, I am still very much in pursuit of this dream. However, it h...

Submitted by Josh Round
Published 04 April 2017

Sennheiser Digital 6000 review


Originally founded in 1945 from a university research lab Sennheiser is of course a globally respected brand and have recently launched the Digital 6000 series as an addition to its pro wireless range. KitPlus were invited to a take a look together with a live music event featuring the system in Hannover last month. Rewinding slightly to establish...

Submitted by KitPlus
Published 04 April 2017

OBs are still outside and so are broadcasts


With the advent of new and emerging technologies, and with the one getting the most oxygen at the moment being video over IP, a number of people are asking whether the ability to move control rather further way from an event has, or will, change the nature of OB production. Well, yes...and no. OB requirements always depend on what type of broadcast...

Submitted by Mike Ransome - new
Published 04 April 2017

Pushing the Boundaries for OTT


OTT video consumption is gaining traction in Western Europe, with 55 percent of UK broadband households and 51 percent of homes in France watching TV programming and movies online, according to Parks Associates. OTT subscriptions are especially popular with today\'s Millennial population, as Parks Associates found that 23 percent of Millennial head...

Submitted by Yaniv Ben-Soussan -new
Published 04 April 2017

Does the cloud have substance?


Just at the moment, every customer we talk to wants to move to the cloud. It is not just a techno-buzzword: people are really attracted by it. The idea of getting rid of all hardware and letting someone else worry about keeping machine rooms alive seems like a good plan. And they sometimes feel a bit deflated when we talk quietly and calmly about w...

Submitted by Ciaran Doran
Published 04 April 2017

New workflows floating on the horizon


The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new
Published 04 April 2017