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Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

The Evolution of Cloud


with Micky Edwards Issue 108 - Decmeber 2015 Television was originally created to be a mass communication platform. Yet, over the last few years, it is becoming increasingly hyperlocal. There are several reasons the television industry is transitioning from a broadcast to narrowcast schematic. One is monetization. According to Borrell Associates, l...

Submitted by Micky Edwards
Published 15 December 2015

Riding the TV Marketing and Social Media Wave


with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University
Published 15 December 2015

4k - is it really worth it


by Beth Zarkosh Issue 108 - December 2015 4K; the holy grail of modern digital filmmaking. Weve all heard of it, but perhaps not all of us are ready for the change. Here we look at the perceptions versus the realities of shooting in 4K. Ultra High Definition is something that has derived from 4K, but now it seems most filmmakers are pressured into...

Submitted by Beth Zarkhosh
Published 15 December 2015

UHD HDR HFR WCG Made for each other, or too much too soo...


by Bruce Devlin Issue 108 - December 2015 The majority of LCD screens rolling out of the huge factories are now 4K-ready. They have a lot of pixels, and were not going to be chopping them up with a hacksaw to make small screens in a hurry. Even cheap mobile phones have more pixels than the big TV set that hangs on the wall of the front room in my h...

Submitted by Bruce Devlin
Published 15 December 2015

Record and Stream - Surgical Procedures


with Dr Sarju Ralhan Issue 108 - December 2015 Dr. Sarju Ralhan is breaking new ground at the Hero DMC Heart Institute in Ludhiana, India. An internationally acclaimed surgeon with a focus in cardiovascular, thoracic and vascular surgery, he has a keen interest in the surgical management of patients afflicted with coronary artery disease and diseas...

Submitted by Dr Sarju Ralhan
Published 15 December 2015

Law Enforcement - Live, Mobile Video Surveillance


by Eric Chang Issue 108 - December 2015 Law enforcement, homeland security, surveillance, emergency response and military operations may span a range of operations, but they all share a crucial need for a detailed, real-time picture of rapidly changing events from various field locations. Leading law enforcement agencies have learned that there\'s...

Submitted by Eric Chang
Published 15 December 2015

Microphone Placement


by Beth Zarkhosh Issue 107 - November 2015 Recording vocals on your microphone sounds like an easy job, but making sure you use the correct techniques and appropriate placement is essential. Today well take a look at some of the industry standard techniques as well as some more weird wonderful recording solutions along the way. Its important to kno...

Submitted by Beth Zarkhosh
Published 01 December 2015

Test & Measurement: Ask the expert


by Alan Wheable Issue 107 - November 2015 What should an Eye diagram look like?There are basically two different approaches to capturing the Eye Diagram from an SDI signal. These are real-time capture (employed by Real Time oscilloscopes) and signal subsampling (employed by Sampling oscilloscopes such as the Omnitek Ultra 4k Tool Box). All broadcas...

Submitted by Alan Wheable
Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...


by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins
Published 01 December 2015

Creating native looks in alien worlds: the making of The...


with Richard Baker Issue 107 - November 2015 Prime Focus Worlds Richard Baker explains how Mars was brought into stereo 3D with the help of Fusion Studio for Ridley Scotts new SciFi survival epic, The Martian Directed by SciFi master Ridley Scott, this years The Martian has all the makings of a space exploration epic to remember. The film stars Mat...

Submitted by Richard Baker
Published 01 December 2015

The key to stability


by Mark Scotton Issue 106 - October 2015 Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywo...

Submitted by Mark Scotton
Published 01 November 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

Matrox VS4-based Multi-channel Recording System


October 2015 Skehan Communications, a leading video production and transmission company provides multi-camera HD video production, webcasting, satellite uplinks and other unique services to broadcasters, Fortune 500 companies, professional associations and government agencies. Though based in the Washington-Baltimore region, their projects have tak...

Submitted by KitPlus
Published 01 November 2015

McDonalds goes live multi-camera


Issue 105 - September 2015 Earlier in 2015 SIS LIVE was central to the London section of an ambitious 24-hour global entertainment campaign by McDonalds, involving a surprise open-top bus gig by Jessie J. Fans worldwide shared the excitement of the 24 continuous gifts of joy in synchronised public events, across 24 cities around the world over a 24...

Submitted by KitPlus
Published 01 October 2015