KitPlus | Articles

Building Out Storage for UHD

As the next big thing in video, from capture and production through to display in the home, 4K and ultra-high-definition (UHD) video offers many benefits. Most notable of these is an eightfold increase in resolution as compared with 1080i, the established standard for HD broadcast. A number of other significant enhancements to image quality are als...

Submitted by Andy Warman

Published 14 June 2016

The Challenges of Streaming

The purpose of this article to highlight the challenges facing small and medium streaming services. It is intended to look at how to achieve successful live and pre recorded content by means of streaming. In this article I would like to share the knowledge and the experience I have gained so far. I will also talk about the kit I use, how it is used...

Submitted by Joseph Ail

Published 14 June 2016

Bringing Realiability to the Unpredictability of Reality...

Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett

Published 14 June 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

Our Time At NAB 2016

by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh

Published 13 May 2016

VR and 3D Audio - Ask The Experts

by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx

Published 13 May 2016

Sound Devices: My Choice For Everything Audio

by Darren Brisker Issue 113 - May 2016 Ever since I can remember, I have had a passion and curiosity for sound and sound recording. For the past thirty years, I have had the good fortune of turning that desire into a career as a production sound mixer working on incredible projects, including three of The Twilight Saga films. During my three decade...

Submitted by Darren Brisker

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

The Search For The Coastal Wolf

by Bertie Gregory Issue 112 - April 2016 Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series...

Submitted by Bertie Gregory

Published 25 April 2016

Must haves for wireless camera transmission

1. How has OB technology and workflow evolved over the years?In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happe...

Submitted by John Payne

Published 01 April 2016

The secrets behind live streaming

I made my on air debut at BVE 2016, taking alongside industry legend Larry Jordan. We explored the challenges and benefits of streaming online video and audio. You can find the discussion online, where we cover:When to choose streaming your video and offering it for download When to consider streaming video live? How to monetize your online vide...

Submitted by Thom Holliday

Published 01 April 2016

Out with the new, in with the old

by Peter Savage Issue 110 - February 2016 Out with the new, in with the oldGetting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter SavageFor consumers and professionals alike, a digital camera offers convenience and immediacy. But when youre using one to shoot a movie or TV dr...

Submitted by Peter Savage 2

Published 16 March 2016

Square-division versus two-sample interleave

by Kevin Salvidge Issue 110 - February 2016 Square-division versus two-sample interleaveFollowing on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluat...

Submitted by Kevin Salvidge

Published 16 March 2016

Perfect Horizon Camera Stabilizer

by Brian Uranovsky Issue 110 - February 2016 PERFECT HORIZON CAMERA STABILIZERThe Perfect Horizon is an innovative camera stabilizer for land and sea, and regardless of bumpy rides or rough waves, this stabilizing device keeps your horizon perfectly stable. The Perfect Horizon (PH) won an ACADEMY AWARD as well as an EMMY for Engineering and Scienti...

Submitted by BRIAN URANOVSKY

Published 16 March 2016

THE EVOLVING DRONE CAPTURE MARKET

Issue 110 - February 2016 Although the use of drones to capture content for film and television productions may still seem new to some, Helifilm.com began using drones for photography way back in 2008. Today, we're the premier supplier of aerial footage in Scandinavia, offering services to national and international film teams and providing access...

Submitted by Bjorn Olin

Published 16 March 2016