KitPlus | Articles

The Lobster - achieving a textural grain

Issue 104 - August 2015 Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story. Featuring an impressiv...

Submitted by KitPlus

Published 01 September 2015

SDV - Shaping the Next Generation of Linear TV Service Of...

by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier

Published 01 August 2015

How to go Over the Top with your video experience

by Lorna Garrett Issue 103 - July 2015 Going over the top opens up boundless opportunities. As a viewer, you can watch content on any device you have connected to the Internet without going through an ISP (internet service provider). As a broadcaster you can use OTT to enhance what you already offer, like Channel 4s Box TV service. These days, with...

Submitted by Lorna Garrett

Published 01 August 2015

Tapeless Workflows, MAM and Archive: Back to Basics

by Mike Shore Issue 103 - July 2015 The broadcast industrys appetite for file-based workflows existed long before the technology required to implement them was available. With the emergence of cheap capture hardware, the continually decreasing cost of storage and the ever-increasing capabilities of inexpensive computing power, the transition from t...

Submitted by Michael Shore

Published 01 August 2015

The business case for media asset management

by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher

Published 01 August 2015

Keep memories safe at RWF

by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett

Published 01 August 2015

On-camera monitors for today and tomorrow

by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs

Published 01 July 2015

Automate your marketing system

by Den Lennie Issue 102 - June 2015 As I discussed in the previous issue building a relationship with your potential customer is vitally important, as this gains trust and allows you to then present a buying option. Ive also spoken about our free report that we offer to visitors, and this next chapter is all about how to create that report and how...

Submitted by Den Lennie

Published 01 July 2015

Those pesky scientists

by Dick Hobbs Issue 102 - June 2015 This month\'s picture is of something I was given on a visit to the Grass Valley camera factory in Breda, maybe 10 years ago. I think it is a thing of beauty, which is why it sits in pride of place on top of the wine cabinet. It is the sharp end an HD system camera: the optical block and a CCD imager. We saw in t...

Submitted by Dick Hobbs.

Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster

by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough

Published 01 June 2015

Marketing is everything and everything is marketing

by Den Lennie Issue 101 - May 2015 Marketing for filmmakers can be very intimidating. I think it must have something to do with being creative; we seem to be more concerned with creating content than creating new business. In simple terms, marketing is simply about putting your message in front of the right customers at the right time, so that when...

Submitted by Den Lennie

Published 01 June 2015

Cautionary notes from GTC Member number 001

by Dick Hibberd Issue 101 - May 2015 Recently I was invited to be on the panel of judges charged with selecting the winners of the 2014 \'Bill Vinten GTC University Awards\'. This was just the second year of this excellent scheme and, if the submissions from universities increase annually pro rata, then we will soon have a major logistics problem i...

Submitted by Dick Hibberd

Published 01 June 2015

Finding the Oracle of audio capture

by Simon Tillyer Issue 101 - May 2015 With over 300 hours of YouTube video uploaded every 60 seconds it\'s not hard to understand why any manufacturer would be looking closely at the new generation of emerging filmmakers whether they be in the consumer (creating content for "fun") or prosumer (creating content for a fee) markets. You might however...

Submitted by Simon Tillyer

Published 01 June 2015

Full reference testing helps ensure quality audio deliver...

by Adam Schadle Issue 101 - May 2015 With the ever-increasing amount and variety of programming, devices, screen sizes, quality levels, and delivery methods today, broadcasters and delivery networks must be able to measure the quality of audiovisual content - and their processes for delivering it - to ensure it will meet standards that satisfy audi...

Submitted by Adam Schadle

Published 01 June 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015