Articles

Articles, opinion and reviews from the industry. It is free to add your own articles, just login / register and follow the links in your KitHub panel.

Your search for capacity has produced 0 results.Clear filter

Ask the Experts: What Workstation?


Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices. Scary if you aren’t a hardware guru...

Submitted by Mike Leach
Published 01 February 2013

The joy of field editing


In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#
Published 01 February 2013

The evolving face of post production


By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#
Published 01 February 2013

Maximizing the Efficiency of Multiscreen Video Delivery


By Shawn SaleemAs consumer demand for video content anywhere, anytime, and on any connected device continues to grow at a rapid pace, today’s pay-TV operators are in need of next-generation technologies that will lower the cost of multiscreen content delivery while enabling them to adapt to new business models. Advanced content networking ICs resol...

Submitted by shawn saleem
Published 01 February 2013

IT Broadcasting


Magdoos Media is the archetypal early 21st century broadcaster. The company televises live events for such clients as Codemasters, ArabicGamers, 2K Games and Russell Investment, webstreaming and narrow-casting programmes on behalf of niche markets, from gaming conventions to corporate events. “Delivery channels vary from public access networks such...

Submitted by Kieron Seth#
Published 01 December 2012

OMNEO Networking Technology


Why are digital media networks becoming more and more important? For two main reasons. First, if designed properly, they allow plant communications infrastructure to be used for multiple purposes: the same “pipe” can carry audio, video, control, and other needed signals. This reduces costs of materials and installation. Second, if designed to pub...

Submitted by Kieron Seth#
Published 01 December 2012

OTT Monitoring: keeping it simple and useful


IntroductionOTT is generally understood to mean a technique where the transmission of video to the subscriber is based on the same underlying methods as those currently being used to serve out web pages on the internet today. The Over-the-Top name refers to the potential of this technology for bypassing existing traditional television distribution...

Submitted by Bob Pank#
Published 01 October 2012

Gold all round


In my ramblings in the January edition of TV-Bay, I offered some predictions for the year, which included the following:“Television coverage of the Olympics and Paralympics will be extraordinary, capturing all the skill and dedication, elation and heartbreak of the world’s finest athletes. But somewhere in 29 days of intensive, multi-channel broadc...

Submitted by Bob Pank#
Published 01 October 2012

Tally systems and Confidence Audio Monitoring for Sports...


Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#
Published 01 September 2012

PHABRIX hand held SxE solution for Quantel


PHABRIX recently visited UK based Quantel, developers of innovative, world-leading content creation systems for broadcast, post and DI to find out how the company are deploying their six PHABRIX hand held SxE in its test department. Quantel is well known in the broadcast industry for creating powerful and efficient tools for the digital age within...

Submitted by Bob Pank#
Published 01 August 2012

What should I know about lithium-ion batteries


Ask The Experts: Martyn Sly-Jex, Regional Sales Manager, EMEA, Anton/Bauer What should I know about the chemistries behind lithium-ion batteries? When Li-ion cell chemistry was first introduced, it was hailed as a breakthrough, lightweight power solution for broadcast and video professionals. It incorporated high-energy density and low-self-disch...

Submitted by Will Strauss#
Published 01 July 2012

X 10 or X 3? - That is the question


X 10 or X 3? - That is the questionFor many years now, the sports programme producer has benefited from a triple speed (75fps) super motion replay facility. Initially replayed via specially modified BVW tape decks but once the industry standard EVS server acquired the ability to record the three phases of such cameras and supply a continual record...

Submitted by Bob Pank#
Published 01 July 2012

More Power for Camera Accessories


Reliable, durable and plentiful battery power is essential for broadcast acquisition. The power demands of modern high-definition camera set-ups are now greater than ever. As the number of camera accessories increases so do the demands for battery power. In addition to power-hungry cameras, there is also a greater number of camera accessories avail...

Submitted by Bob Pank#
Published 01 July 2012

Waste not, want not


One of the most interesting comments I heard at NAB this year was from Gary Greenfield, the CEO of Avid. Picking up the topic of making the most of content across multiple platforms, he said “nothing is left on the cutting room floor any more”. That started me thinking about how technology has allowed us to get profligate, and whether we are now at...

Submitted by Bob Pank#
Published 01 June 2012

Taking the pain out of collaborative editing


Broadcast and post-production companies face the daily challenge of delivering more for less – both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure managemen...

Submitted by Bob Pank#
Published 01 April 2012