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NEW CAMERA INNOVATIONS FOR WORLD GYMNASTICS CHAMPIONSHIPS...


Billed as the Greatest Gymnastics show on earth the World Championships came to the O2 Arena in October with 437 gymnasts making it one of the biggest events of its kind ever. The O2 played a perfect host to the event with unprecedented BBC coverage, spectators packed to the rafters and a perfect “warm-up” to the Olympics in three years where the A...

Submitted by Dennis Lennie
Published 01 December 2009

LED lighting for image creators


Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie
Published 01 December 2009

New Light in the Forbidden City


IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie
Published 01 December 2009

SATIS in a day


Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie
Published 01 December 2009

DFX filter software


Tiffen has been manufacturing photographic filters and lens accessories for consumer and professional imaging for over 70 years. Now the company has developed Tiffen DFX, software that offers a range of filters for use with digital images. We believe this makes DFX unique; benefiting from a deep understanding of what glass filters actually do as we...

Submitted by Dennis Lennie
Published 01 December 2009

Lighting the X Factor


It’s Friday morning at a television studio in the shadow of Wembley Stadium’s iconic arch and already there are fans and paparazzi outside waiting to catch a glimpse of their favourite contestants and judges arriving for rehearsals. Now three weeks into the live final shows, nine contestants have reached ‘Rock Week’, once again singing for their li...

Submitted by Dennis Lennie
Published 01 December 2009

3D Movie Making: Stereoscopic Digital Cinema from Script...


Having indulged for several years in stereo photography of the hand-held cross-your-eyes variety, I was interested to watch the broadcast industry respond to the availability of increasingly affordable flat-panel 3D displays. A critical point in the price threshold has finally been crossed: fast-refresh-rate 22 inch 3D computer monitors using circu...

Submitted by Dennis Lennie
Published 01 November 2009

Implications of a Tapeless workflow


The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie
Published 01 November 2009

Five Best Practices for Securing Your Content during Coll...


That is the sound of your content leaking into the hands of pirates – costing the industry billions. Wolverine, Iron Man and Indiana Jones and the Kingdom of the Crystal Skull are just some of the movies reported to have been leaked. The same holds true for TV content – though some argue that when a pilot or season premiere leaks – it falls into th...

Submitted by Dennis Lennie
Published 01 November 2009

Supporting the RED


James Cullen was working as a studio cameraman for the BBC when he was asked by television quiz show favourite CJ de Mooi to shoot a promo for him. The brief was to showcase CJ’s enthusiasm for the Porsche 911 Carrera, and Cullen knew that the production standards had to match the engineering excellence of the car. “I was using a RED One camera whi...

Submitted by Dennis Lennie
Published 01 November 2009

3D Post


The state of 3DRewind a couple of years and 3D was a hot topic but there was very little production and few companies able to offer suitable support for efficient 3D post production. Many people thought it would fade, as before. A few even hoped it would go away! Now many are supporting stereoscopic 3D. The most activity is in the DI (digital post...

Submitted by Dennis Lennie
Published 01 October 2009

Adventure between two Oceans 2009


The route of this year’s Dakar Rally went through South America, subjecting participants and equipment to very extreme conditions. Bikers and quad pilots as well as teams in cars and trucks participated in this 31st rally of its kind in South America. Cameraman Len Jansen and his team DakarPress from the Netherlands were also there. They have been...

Submitted by Dennis Lennie
Published 01 October 2009

Eye to Eye New post-production kit at IBC 2009


This alphabetical overview of new video and film post-production kit at IBC 2009 was going to start with Apple but the company pulled out of both NAB and IBC in 2008. I begin instead with Avid which has certified its Media Composer, NewsCutter, Symphony and DS software to run on the new HP Z series Workstations – the HP Z800 and HP Z400. Avid custo...

Submitted by Dennis Lennie
Published 01 October 2009

Lighting series


So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie
Published 01 October 2009

Ancillary Data Monitoring in Multiviewers


The broadcast environment has gone through enormous change over the last decade, creating challenges in the management, storage and broadcast of material. Factors contributing to these challenges include the increase in the number of channels with the move to digital, the introduction of various aspect ratio and video standards with the transition...

Submitted by Dennis Lennie
Published 01 September 2009