KitPlus | Articles

Accessorising DLSR video

Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#

Published 01 March 2010

Eye to Eye: Acquisition and Production

Back in the days of the Audio Fair which annually graced London's Russell Hotel, my co-hack Frank Jones of Hi-Fi News put his head into the KEF Electronics demonstration room and bellowed the time-honoured question "What's new?"KEF was showing established products that year so its founder, the avuncular Raymond Cooke, responded with his own questio...

Submitted by Bob Pank#

Published 01 March 2010

Filming Underwater

Filming underwater remains one of the toughest assignments for any professional production, whether documentary or drama. There are safety concerns involved in having crew and, possibly talent, working underwater. Documentary filmmakers often operate in remote locations, far from medical aid and, especially, decompression chambers needed to treat b...

Submitted by Bob Pank#

Published 01 March 2010

AVCHD and NXCAM

I’ll be honest – up until recently I had not been a big fan of AVCHD. It promised great things but, having hired out consumer AVCHD cameras for the last few years, we knew there were still a few hurdles for it jump over. For corporate customers, to just ‘plug and play’ in terms of simple playback was impossible – some form of software was always re...

Submitted by Bob Pank#

Published 01 March 2010

Looking back, and forward to the next decade of media pro...

The year 2000 doesn’t seem that long ago – and what’s for certain is that as you get older ten years is a very short space of time. A decade is a long time in technology though. In 1999 most people didn’t have a mobile phone and weren’t even on the internet at home, painfully slow dial-up was the only option for most. A decade on, the internet is a...

Submitted by Bob Pank#

Published 01 March 2010

A day in the like of a location manager

One of the most dramatic moments I have witnessed whilst filming a series called Dempsey and Makepeace was in Limehouse Basin, not looking at all like it does today. It had a swing bridge, where you could cause the most enormous traffic jam if you kept it open long enough and get mentioned on the local traffic news, which we did manage quite succes...

Submitted by Dennis Lennie

Published 01 February 2010

Im a celebrity get me out of here

Gearhouse Broadcast was awarded the contract to supply broadcast equipment and some crew for Granada Productions “I Celebrity Get Me Out of Here” in 2008. Since that time we have been involved in two UK shows and one German show in Australia plus a USA show in Costa Rica. Planning for these shows is an all year round exercise as the UK show is Dece...

Submitted by Dennis Lennie

Published 01 February 2010

Location test equipment

What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie

Published 01 February 2010

The best job in the Met

If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie

Published 01 February 2010

Robotic cameras on location

Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie

Published 01 February 2010

Film Affect

As shooting on film for TV applications is increasingly being replaced with HD, there is a growing tendency for people to wish to apply film tools and methods to origination when using the electronic medium. However, unless aiming for a specific look that cannot be achieved any other way, it can prove more time consuming and costly to work this way...

Submitted by Dennis Lennie

Published 01 January 2010

Two Decades of Development With DK-Technologies

For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the world’s top music, broadcast and post production facilities. Founded in 1987 by its current CEO Karsten Hansen, DK began by developing complex, custom-designed matrix s...

Submitted by Dennis Lennie

Published 01 January 2010

Surround technologies

Throughout the world, in a wide range of broadcasts, surround sound has become a vital tool for easily and effectively capturing real-life recordings. Playing an equally important role in developing advanced surround sound microphones is Holophone®, with its patented audio recording devices designed specifically to address the challenges audio prof...

Submitted by Dennis Lennie

Published 01 January 2010

12 Frequently Asked Questions About On-Camera Lighting

1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie

Published 01 December 2009

Eye to Eye: Lighting and lighting control

In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie

Published 01 December 2009