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Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

Pro Pancake Editing With Premiere Pro

Pancakes & post production. Not two things you might at first put together. But using pancake timelines can be an extremely effective way of working - so bear with me!Very recently I began working on a series of edits for Premier League kicks. If you’ve not heard of it, I’d encourage you to do a quick Google search and check it out. It's a really c...

Submitted by Alex Macleod

Published 03 November 2019

Live Streaming Workflows Examined

In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button

Published 03 November 2019

The University of the Third Age

Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like ".... mastered in Dolby Vision Domestic and SDR Rec 709.....\" become just a touch unimportant (and actually I never really understood that stuff in the first place). I retired for the third time last year - BBC producer, and before that camerama...

Submitted by Bernard Newnham

Published 10 September 2019

To Remotely Go - TVFutures

Charlie Watts: "One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen s...

Submitted by Michael Parsons

Published 10 September 2019

Increasing Diversity in the UK Indie Market

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table. “Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from...

Submitted by Sam Addo

Published 10 September 2019

Undercover Remote Production

It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley

Published 10 September 2019

REVIEW Canon UJ111x8_3B UHD Lens

Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie

Published 10 September 2019

Post Production - Keeping Track

One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported. In the Avid world this is largely taken care of by the application itself, b...

Submitted by Alex Macleod

Published 10 September 2019

The Making of Zero

The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi shortIn a post-apocalyptic world where humankind has emerged victorious in a war against artificial intelligent machines, a young girl dares to venture into the unknown. This is Zero, the new sci-fi short film from acclaimed British writer-director duo T...

Submitted by Keith and David Lynch

Published 10 September 2019

The Future of Broadcast Connectivity

The use of KVM equipment has been essential to meet the evolving needs of the broadcast industry for many years. Over that time, many in the industry have recognised the importance of using IP-enabled KVM to break down technological barriers and enable real-time access to visuals wherever and whenever they’re needed. These components are vital part...

Submitted by Jamie Adkin

Published 10 September 2019

Keeping Pace with the Content Revolution

These are uniquely challenging times for broadcasters and their technical teams. Not only are they having to negotiate the move to IP-based infrastructures and the introduction of new formats and techniques such as 4K and HDR, they are also having to generate more content than ever before to support OTT and web services as well as traditional linea...

Submitted by Kevin Fitzgerald

Published 10 September 2019

Keeping the Show on the Road

There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme. First-line maintenance is usually in the hands of the user. If a device malfunct...

Submitted by Andy McKenzie

Published 10 September 2019

State of the Nation: Wings, Fine Coffee and Fake Nudes

One of the many attractions of this time of year is that I get to meet with my fellow judges for the IBC Innovation Awards, and see what the industry sees as the most important, most forward-looking projects of the day. For me, this says what the key talking points are going to be in September, far more eloquently than the endless press releases fr...

Submitted by Dick Hobbs - new

Published 16 July 2019

Making the Workflow Flow

The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workf...

Submitted by Bruce Devlin - new

Published 16 July 2019