KitPlus | Articles

A wide spectrum of choice

by Andy Clements Issue 101 - May 2015 Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today\'s large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, grea...

Submitted by Andy Clements

Published 01 June 2015

The IP Solution - intercom systems without extensive new...

by Manuel Brico Issue 101 - May 2015 When a broadcasting or TV station wants to install a new intercom system in its broadcast centre or headquarters - or wishes to replace its entire intercom system - it is faced with two big investments. One concerns the capital investment in terms of hardware and software. This will include investment in equipme...

Submitted by Manuel Brico

Published 01 June 2015

Capturing the action : Ocean Communications

Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus

Published 01 April 2015

Wireless Production Tools - Hints, tips and a word of war...

by Alan March Issue 95 - November 2014 Some Do\'s and Don\'ts Over the years, there have been certain questions or queries that have had a habit of re-occurring. At the risk of teaching you, dear reader, to suck eggs, here are a few of them;Can I use two transmitters with just one receiver? No. With wireless microphones, a dedicated transmitter and...

Submitted by Alan March

Published 01 December 2014

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Communicating via IP

by Andy Covey Issue 93 - September 2014 At the turn of the 21st century the concept of IP-based systems first started to emerge, and with all things new, there were those who said it couldn’t be done with intercom systems. Communication, some reasoned, was simply too important to trust to perceived IT infrastructure issues of bandwidth and latency...

Submitted by Andy Covey

Published 01 October 2014

The evolution of Wired Intercom

by Simon Browne & Ed Fitzgerald Issue 93 - September 2014 Early Beginnings What do you think was the fi rst DIGITAL communications system devised? Of course you could think of the evolution in standardised parallel data backplanes and digital ICs in the 1980s and the swathe of multi-rack Time Division Multiplexed switching systems that it enabled,...

Submitted by Simon Browne

Published 01 October 2014

SIZE is everything

Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus

Published 01 October 2014

Fashionable Live Streaming

by Katie Phibbs Issue 93 - September 2014 For the launch of their Autumn Winter 2014 collection, Ted Baker called on London studio 3xScreen Media to provide an ambitious production and live streaming solution. The brief was to provide catwalk coverage via four simultaneous live streams viewed in a player designed and built for purpose. The fashion...

Submitted by Kate Phibbs

Published 01 October 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

Box to Box

by Will Strauss Issue 90 - June 2014 Specially designed flyaway OB units are being deployed at the World Cup in Brazil to help bring enhanced coverage of the beautiful game to countries around the world. By Will Strauss. Like many journalists I like to put things in boxes, metaphorically speaking, Regardless of how unwise it may be, it helps to est...

Submitted by Will Strauss#

Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP

by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014