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What is the future of media creation, salaries and conten...


by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye
Published 01 February 2015

The business of University: Or lack thereof


by Ashley Golder Issue 97 - January 2015 University. Finally a time of critical thinking, training for your future career and coming out with enough knowledge to confidently acquire a job... or rather that is the plan. But what if that doesn\'t happen? When the £9,000 a year tuition fee, plus the expense of living costs rear their ugly heads and th...

Submitted by Ashley Golder
Published 01 February 2015

Archiving as a service at BBC Studios and Post Production


by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw
Published 01 February 2015

The Tour Revisited


Issue 96 - December 2014The November tour attracted over 1500 registrations visiting London and Manchester for one day in Shoreditch and the next in MediaCityUK. We asked people what they thought and there was simply too much to print. However here are the selected, together with our gallery and answers where there were issues, comments from visito...

Submitted by KitPlus
Published 01 January 2015

BAH! Humbug


by Dick Hobbs Issue 96 - December 2014 Yes, it's that time of year again. When, if you are a commercial broadcaster, you start coining it in with the Christmas commercials. Presumably if you are a director or a post house, you are already pitching for next year's blockbusters. They never have the look of something that has been knocked up on the sp...

Submitted by Dick Hobbs.
Published 01 January 2015

The Pitfalls of buying second hand kit


by Peter Savage Issue 95 - November 2014 Last week a client, on the lookout for some second-hand kit, asked me about the basic ground rules when buying equipment. How could he be assured that everything was sound, and in an orderly fashion, and that he would be able to gain good title on the equipment? There are two ways to buy equipment: through a...

Submitted by Dick Hobbs.
Published 01 December 2014

Africans in London TV


by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail
Published 01 December 2014

Keeping it real


by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#
Published 01 September 2014

A new age of teleprompting?


by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#
Published 01 September 2014

Green storage Fat wallets


by Ben Pearce Issue 91 - July 2014 Its not just eco campaigners that want to reduce their carbon footprint. Its also the financial director. Whether youre a small company or a transnational enterprise, you run the risk of losing control of your data and buying more and more disk space. You may be storing many copies of each file on multiple externa...

Submitted by Ben Pearce
Published 01 August 2014

Teletest Telesend HD LCD receiver Review


by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast
Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP


by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom
Published 01 July 2014

Ask the experts: Life behind the rate card


by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome
Published 01 May 2014

The BroadcastShow Tour: a visitors view


by Derek Halls Issue 86 - February 2014 It\'s that time of year again and BroadcastShow-the tour registration is now open and I shall certainly be attending. In October last year my Production Assistant and I went to the London event held within the grounds of Pinewood Studios and wow, what a great time we had. Not only was there a great mix of pro...

Submitted by Derek Halls
Published 01 March 2014

Ask the experts: What is MAM?


by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola
Published 01 February 2014