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State of the Nation - part 1


i Imagine you are the director of the Champions League Final, knowing that 200 million people will be watching your every decision. Or you\'re directing the Eurovision Song Contest. Or even, to be honest, the Tunbridge Wells local news opt out. And at live minus 30 seconds, all the screens in the monitor wall suddenly go black then show a demand, i...

Submitted by Dick Hobbs - new
Published 07 September 2017

Integrated and automating marketing campaign production


i ITV, as an integrated producer broadcaster, creates, owns and distributes high-quality content on multiple platforms. It operates the largest commercial family of channels in the UK and delivers its content through traditional television broadcasting as well as on demand via the ITV Hub. ITV has the largest share of the UK television advertising...

Submitted by James Gilbert
Published 07 September 2017

Remote Production - Speed, Control, Infrastructure


i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new
Published 01 August 2017

Live Event Wireless Intercoms


i Live programming is a powerful tool for broadcasters against the encroachment of OTT services and the ensuing loss of advertisement revenues. Live content is the answer to drawing viewers. Broadcasters are constantly searching for ways to provide more live sports, news and other live content to viewers. This programming, particularly sports, stil...

Submitted by Tom Turkington
Published 01 August 2017

What happened to audio networking


i It may seem hard to believe, but audio networking has now been with us for over 20 years. In 1996, Peak Audio released CobraNet, the first system that used computer networking of some sort to transport audio. Looking at that early system, it wasn\'t easy to see all the benefits that were to come. Yes, you eventually got up to 64 channels on a sin...

Submitted by Brad Price
Published 01 August 2017

IP-Based Intercom Solutions


i The broadcast market has experienced a huge change over the last decades, resulting in the need for larger and larger intercom systems. As the demands of broadcasters have grown, the central factor for manufacturers keeping up with demand has been IP. A company at the forefront of this development is RTS. In the new millennium, the company has es...

Submitted by Jon Ridel
Published 01 August 2017

Object Based Audio - The first steps


i The world of broadcast audio is about to reach new levels as we embrace the future in terms of Next Generation Audio (NGA). Although at this stage we can\'t be precise about what this will bring, we do know that some 3D Immersive formats are already under development and will find their way into broadcast production and distribution very soon. Un...

Submitted by Peter Poers
Published 01 August 2017

Is everyone a journalist these days


i Today\'s content consumers have endless viewing and streaming possibilities thanks to the advent of smart phones and tablets that allow them to watch pretty much anything they want, on the go, and away from the confines of a television screen. Those very same smartphones and tablets have also brought another revolution to the broadcast industry -...

Submitted by Rene Morch
Published 01 August 2017

Thinking clearly about the cloud


As someone who is constantly trying to build better products, I\'m always asking questions and listening to the ones I get asked. For several years now I\'ve asked every broadcaster and media production company I\'ve met what they plan to do about \'the cloud\'. I\'ve had replies which range from \'the media must never leave the premises\' (imagine...

Submitted by Chris Steel 2
Published 19 May 2017

Is now the time to compromise on investment


It would seem on the face of it that many broadcasters and production companies are trimming spending to the bone, or at least postponing it in anticipation of more lucrative days to come. While that may seem prudent, and is in some cases a necessity, there\'s an equally valid argument that periods of economic downturn, real or perceived, are the p...

Submitted by Mike Ransome - new
Published 19 May 2017

Modernizing the Cutting Edge


Over the last decade, streaming as a medium has seen tremendous growth. Services like Netflix, Hulu, and Amazon Video are no longer just post-hoc distributors of broadcast television content, they have become content creators and are producing some of the most well received "television\" content of the past few years. For example, at the 2013 Prime...

Submitted by Myles Carter - new
Published 19 May 2017

Controlling the Chaos of Remote Uplinks


For Satellite Broadcasters, consumer needs have never been so varied. Audiences are increasingly accustomed to personalisation in every type of content they consume. They now demand, or rather expect to receive breaking news from a scene, content specific to their regions and access to live sporting events held thousands of miles away. As a result,...

Submitted by Roger Franklin
Published 19 May 2017

Navigating Unfamiliar Territory


The traditional broadcast model - where TV networks play content on a linear schedule, and viewers tune in on their TV sets - is under siege. Linear TV is not going away anytime soon, but the model is becoming less and less relevant. Thanks to the rise of OTT services, viewers have become accustomed to watching content when and where they want, on...

Submitted by Vijay Sagar Vinnakota
Published 19 May 2017

Dick brings out his cutting room scales


At this time of year, in the run-up to NAB, my in-box is even more filled than usual with press releases craving my attention. It is one of the universal truths so unloved by PR people that the sheer weight of numbers threatens to overwhelm. Smart companies use blatant tricks to get you to read. An honourable mention must go to the recent press rel...

Submitted by Dick Hobbs - new
Published 19 May 2017

Being a Content Creator


When I began the Television and Broadcasting course at the University of Portsmouth, I had my mind dead-set on what I wanted to do in the world of television. More than anything, I wanted to work for Children\'s BBC, ideally as a presenter, and as I come towards the end of my second year, I am still very much in pursuit of this dream. However, it h...

Submitted by Josh Round
Published 04 April 2017