KitPlus | Articles

Television is dead, long live television

After decades of operating within the same fundamental model, the walls around our world - what was the broadcast world, or "vertical", in marketing terms - are crumbling. NAB 2016 clearly showed this and IBC 2016 took it one step further: momentum is strengthening as we push towards an IP future. The TVB2020 conference earlier this year also refle...

Submitted by Ephraim Barrett

Published 07 December 2016

Behind the scences of Under the Shadow

BAFTA nominated director Babak Anvari\'s first feature length film, "Under the Shadow", certainly offers a unique insight into the devastation of the 1980s Iran-Iraq war. Taking place in Tehran just as the war enters its eighth year, the thriller follows a mother and her young daughter struggling to survive a brutal bombing campaign whilst also dea...

Submitted by KitPlus

Published 07 December 2016

Blackmagic Design URSA Mini Reviewed

The yeti finally arrived earlier this year - I call it so, because for almost twelve months until BVE 2016 we\'d only seen it in pictures! So getting my hands on one in a real word environment was an absolute no brainer, when Simon Tillyer dropped me a line offering the opportunity to review the camera for KitPlus. I\'ll cut right to the chase with...

Submitted by Ben Sherriff

Published 07 December 2016

Posting Rovers on DaVinci Resolve

Managing director at Core Post Matt Brown reveals how he used DaVinci Resolve\'s 3D tracker, key lighting, and color tools to complete the final grade for new Sky 1 football comedy drama series, "Rovers.\" Set in the run down clubhouse of fictional non league team Redbridge Rovers FC, brand new Sky 1 football comedy "Rovers\" reunites "The Royle Fa...

Submitted by Matt Brown

Published 25 August 2016

The Challenges of Streaming

The purpose of this article to highlight the challenges facing small and medium streaming services. It is intended to look at how to achieve successful live and pre recorded content by means of streaming. In this article I would like to share the knowledge and the experience I have gained so far. I will also talk about the kit I use, how it is used...

Submitted by Joseph Ail

Published 14 June 2016

Grading Temple - Making the future look vintage

Cineground's Simon Allard and Nguyen Anh Nguyen reveal how they used Kowa lenses and an atypical approach to grading to give their new sci-fi cyberpunk thriller, "Temple\" a unique vintage look. Created by the same indie team behind "The Akira Project,\" a viral trailer which garnered more than three million views online in 2014, "Temple\" is a new...

Submitted by Simon Allard

Published 01 April 2016

Educating with Robots

by Sian Roberts, Online Editor Issue 110 - February 2016 Educating with RobotsTimeline North's post production director, colorist and VFX artist reveal how they used DaVinci Resolve and Fusion to complete 140 sketches for upcoming CBeebies children's series, Spot BotsMade up of a series of funny live action sketches, new CBeebies - a popular BBC ch...

Submitted by Sian Roberts

Published 16 March 2016

EXIT PLAN - Creating an indi SCI-FI for less than 3000 do...

with Richard Oakes Issue 108 - Decmeber 2015 The director behind new indie short "Exit Plan\" reveals just what it took to write, crowd fund, shoot and grade his very own proof of concept for a science fiction feature with DaVinci Resolve, a Pocket Cinema Camera, and only four crew members on set For founder of Dark Fable Media, Richard Oakes, film...

Submitted by exitplan

Published 15 December 2015

Soho shaking all over Manchester

with Alan Bradbury Issue 108 - December 2015 It was a busy time for my colleagues and I here at Soho Editors last month, but quite a telling one too. The relentless thrust northward of post-production, film, TV and broadcast services in the UK, saw us - and indeed many other companies - exhibiting at the Kitplus Tour, hosted at the MediaCityUK comp...

Submitted by Alan Bradbury

Published 15 December 2015

Lessons Learnt - Webcasting live to the web

by Larry Jordan Issue 105 - September 2015 When I first started in this industry, more than 40 years ago, live television broadcasts were plentiful and popular. In fact, I got my start as a director in live television. However, the only way to create a live broadcast was with lots of equipment, large crews and plenty of money. Today, the paradigm h...

Submitted by Larry Jordan#

Published 01 October 2015

Making multi-camera shooting faster & more affordable

by Datsa Gaile Issue 105 - September 2015 Multi-camera filming has been known for years. There was a time when shooting any production involving multiple-camera positions would require a very large studio budget. Today we have many solutions for live vision mixing and great editing platforms what offer multi-camera editing. As there are so many gre...

Submitted by Datsa Gaile

Published 01 October 2015

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

The evolution of vision mixers

by Liam Laminman Issue 104 - August 2015 At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relativ...

Submitted by Liam Laminman

Published 01 September 2015

Shoot safe, shoot dynamic

by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles

Published 01 September 2015

How we got live streaming to work for us

by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#

Published 01 August 2015