KitPlus | Articles

Girl Power

This month I was going to write about something important about the future technological platforms of our industry. It would have been incisive, enlightening and enriching. It really would have been. But I have just got completely derailed by the discovery of what I hesitate to call a cultural phenomenon. And while it is almost certain that you all...

Submitted by Dick Hobbs.

Published 14 June 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Increasing creativity and functionality with Q-Ball

By Jim Daniels, technical director, Camera CorpsTell us more about Camera Corps and its position within the industry…Camera Corps was founded almost 20 years ago to offer broadcasters video system design and rental services. Having focused on rentals from the very beginning, we have provided high-volume cameras, pan-and-tilt heads and tracking syst...

Submitted by Jim Daniels

Published 01 July 2013

LiveU Buyers guide to cellular uplinking

With Ronen Artman, LiveUCellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activities or anything in between. It has also delivered high quality li...

Submitted by Ronen Artman

Published 01 May 2013

Buyers guide to cellular uplinking

by Ronen Artman (VP of marketing LiveU) and Lorna Garrett (Director, Garland Partners Ltd)Cellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activi...

Submitted by Ronen Artman

Published 01 February 2013

Extensive, flawless and enjoyed by millions

Due to the multiple locations of the London Games, coverage was inevitably going to a be a challenge, with locations throughout London and the South; some of them specifically designed and created for the events such as the main Stadium, Velodrome and Aquatics Centre, whilst clever forward thinking meant that existing famous landmarks such as Horse...

Submitted by Bob Pank#

Published 01 October 2012

SPORT GB AND IBC 2012

Peter Savage has sobering thoughts about the Olympics and Paralympics while looking forward to a beer or two at IBCWell, we will soon come to the end of a summer that has been completely sports-dominated. I like sport. In fact, I could be classed as almost sport-obsessed. However, even I will soon breathe a sigh of relief knowing that, no matter wh...

Submitted by Bob Pank#

Published 01 September 2012

An Olympian Effort

For obvious reasons, the broadcasting world does not generally hold mass-murdering dictators in high esteem. But, in a small way, and despite his many, many faults, the world of television has one such tyrant to thank for the connection between technological innovation and the Olympic Games. And no, this is not a joke. The first handful of modern d...

Submitted by Will Strauss#

Published 01 September 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

3D Diaries Cameras: more for less

http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#

Published 01 March 2012

Operating at the cellular level

The live coverage of outside broadcast events, news or sports has always been an expensive and logistically cumbersome business. The need to invest millions of pounds in specialist satellite trucks can take years to recoup, putting the ability to service live sports contracts beyond the economy of a very few suppliers. Even the live presentation of...

Submitted by Bob Pank#

Published 01 September 2011

Production Profile with Polecam

What brings an innocent young Swede into the competitive high-adrenalin business of television production? In my case, it all began at school. I developed an early fascination for photography and created slide shows that were presented as end-of-semester happenings to my fellow students. Unlike television, you can actually watch a live slide-show a...

Submitted by Bob Pank#

Published 01 September 2011

Robotic cameras on location

Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie

Published 01 February 2010

New Light in the Forbidden City

IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie

Published 01 December 2009

IBC2009 set to be a successful show

IBC COO Michael Crimp is "confident but not complacent\" as he tells how IBC is building a vibrant and healthy IBC2009. How are plans for IBC2009?Exhibition bookings for IBC2009 are still very strong. Currently we are about 10% down on the final space requirement for last year, which at this time is very good. My view is that we will have an excell...

Submitted by Dennis Lennie

Published 01 July 2009