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Crossing the TV Divide


by Kieron Seth Issue 102 - June 2015 From corporate to TVFor years, Reels in Motion has been associated with producing high quality live events and corporate video. Its ongoing project with The Property Investors Network is typical of the kind of long term projects the midlands-based company is involved in. Tasked with recording all day training wo...

Submitted by Kieron Seth#
Published 01 July 2015

High-speed archiving in a high-res world


by Lee Sheppard Issue 102 - June 2015 SGL has partnered with Avid for the past 11 years and the companies continue to deliver solutions that are required by today\'s modern broadcast facilities. SGL FlashNet, the engine that drives Avid Interplay Archive, provides customers around the world with an integrated MAM/PAM archive solution. Built around...

Submitted by Lee Sheppard
Published 01 July 2015

The future of storage is now affordable and flexible.


by Ed Harper Issue 102 - June 2015 As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution. Over the years, our engineering...

Submitted by Ed Harper
Published 01 July 2015

NAB 2015 Highlights


by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh
Published 01 June 2015

Transmitting love...live


by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#
Published 01 June 2015

Back in the day


by Larry Jordan Issue 100 - April 2015 Congratulations, TV-Bay, on your tenth anniversary; as well as the 100th issue of TV-Bay/KitPlus magazine. Very cool!Ten years ago seems like forever. Some of us were editing with Final Cut Pro 5. LiveType was still with us. Others were using Adobe Premiere Pro 1.5 (CS3 was still two years in the future). Stil...

Submitted by Larry Jordan#
Published 01 May 2015

What a difference a decade makes


by Dick Hobbs Issue 100 - April 2015 If you have got to the back of this magazine, you cannot fail to have noticed that it is issue number 100. I asked Simon Tillyer and Matt Robbins, the dynamic duo behind the publication, how it all started. "The website was initially just a project,\" Simon said, "and when Matt arrived in the summer of 2005 we c...

Submitted by Dick Hobbs.
Published 01 May 2015

Sky takes sports to the limit


Issue 99 - March 2015Sky, Europe\'s leading entertainment company with more than 20 million customers across five countries, is renowned for being one of the world\'s top sports broadcasters. From the massively popular Premier League, to a raft of other sports rights including rugby, cricket and darts, Sky provides sports fans with an unrivalled of...

Submitted by KitPlus
Published 01 April 2015

Education meets industry...


by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham
Published 01 March 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015

Venice live productions tools go to the consumer


by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead
Published 01 March 2015

Seven thoughts for the New Year


by Larry Jordan Issue 97 - January 2015 It is my favorite time of year - a time of resolutions and predictions. Resolutions are fun. They showcase all the things we would like to have happen in the New Year - provided they don\'t take too much work on our part. While resolutions are personal, predictions are a group sport. So, after another year wr...

Submitted by Larry Jordan#
Published 01 February 2015

The fast-moving business of providing pop-up editing suit...


by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri
Published 01 February 2015

Post Production gear guide - what new products to watch o...


by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh
Published 01 February 2015

Increase productivity while editing


by Terry Goyette Issue 97 - January 2015 Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools...

Submitted by Terry Goyette
Published 01 February 2015