KitPlus | Articles

Disaster Recovery the broadcast emergancy service

by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard

Published 01 July 2014

Powerful New Levels of Discovery

by Drew Lanham Issue 90 - June 2014 For media creators, owners, and distributors, the amount of digital media in their libraries never stops growing as they continue to add new content every day. Those who dont organize and manage their data well are not getting the maximum value out of their archive. Thats why they need easy, accurate, and cost-ef...

Submitted by Drew Lanham

Published 01 July 2014

Giving Content Distributors an Edge in Quality and Compli...

by Adam Schadle Issue 90 - June 2014 Todays media and entertainment ecosystem relies on interconnections between content originators, who produce programming and deliver it over broadcast networks (including terrestrial, satellite, cable, and IPTV), and secondary content distributors who take that programming and deliver it to the end viewer. Incre...

Submitted by Adam Schadle

Published 01 July 2014

Atomos Samurai Blade and Connect Converter TSG

by Kevin Owen Issue 90 - June 2014 Kevin Owen has worked in live television broadcast industry for the past 10 years, specializing in fiber optic systems integration and video engineering. Troubleshooting problems on the fly, often at remote locations away from the production truck has become an integral part of his job. Kevin is most often found w...

Submitted by Kevin Owen

Published 01 July 2014

Problems and solutions in audio

by Mike Law Issue 89 - May 2014 BCD Audio is a UK manufacturing and design company specialising in audio products for the global broadcast and professional market. Mike Law is company managing director and also head of design. He is a member of the IET and the AES. He presents here several case studies to illustrate how the company has been able to...

Submitted by Mike Law#

Published 01 June 2014

Local TV cuts the mustard

by Neil Hutchins Issue 89 - May 2014 Monday 24th March was a notable date in the roll-out of Local TV across the UK, as it saw the successful launch of the second of the new channels. Mustard TV, based in Norwich and named in recognition of an historic connection with the local Colman family, followed Estuary TV as a new broadcaster on Freeview Cha...

Submitted by Neil Hutchins#

Published 01 June 2014

Assuring loudness compliance for international content di...

by Samuele Tezza Issue 89 - May 2014 At SAMPLE, sound is our business. An up-and-coming digital recording studio and post-production house based in Verona, Italy with offices in Milan and Rome, SAMPLE offers a full range of high-end services including voice recording for television and radio, dubbing for cinema and television, original soundtracks,...

Submitted by Samuele Tezza

Published 01 June 2014

Centralised tapeless workflow at BT sport studios

by Steve Montgomery Issue 88 - April 2014 Part of the former International Broadcast Centre at the Queen Elizabeth Olympic Park in London has been transformed into the new home of BT Sport with state-of-the-art production and broadcasting systems for BTs new television broadcast operations. BT sport is a broadcasting station with 24-7 operational c...

Submitted by steve montgomery

Published 01 May 2014

From the edge of nowhere to the centre of everywhere

by Joe Fulford Issue 88 - April 2014 Getting your images back to a studio for broadcast can be done in many ways. Getting the tapes or cards back to the studio will take however long it takes a dispatch rider to get there, and sometimes its just not possible to get a motorcycle out to your location. You can transfer the files via FTP from another l...

Submitted by Joe Fulford

Published 01 May 2014

Where no satellite truck has gone before

by Bogdan Frusina Issue 87 - March 2014 For several weeks last year, the world was focused on Rome. Broadcasters from around the world converged on the city to cover the events surrounding the resignation of Pope Benedict XVI and the selection of his successor. Existing cellular towers were overwhelmed with traffic on the key celebration days, when...

Submitted by Bogdan Frusina

Published 01 April 2014

Cutting the cord

by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#

Published 01 April 2014

How to work without batteries

by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns

Published 01 March 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

Near-live production with Softrons multicam logger

by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014