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Our Time At NAB 2016


by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh
Published 13 May 2016

VR and 3D Audio - Ask The Experts


by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx
Published 13 May 2016

Waveform Monitors in 4K Production


by Alan Wheable Issue 112-April 2016 Waveforms have always been one of the essential tools for anyone working in the video industry and are used for level alignment, grading and quality control to touch on just a few areas. Working with HD and 3G-SDI waveform technology may have been a solution in the early days of UHD/4k to display the waveforms f...

Submitted by Alan Wheable
Published 25 April 2016

Building Blocks


by Dick Hobbs Issue 112 - April 2016 That is the MIT Media Lab saying, in a typically American academic way, that they want to help producers make better content. That is what you find if you Google "object-based broadcasting". Which is what I did on your behalf this month, because BT Sport - which seems to have taken up the idea of innovation in b...

Submitted by Dick Hobbs.
Published 25 April 2016

How Your iPad Can Help Your Filmmaking


by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh
Published 16 March 2016

Highly Experienced


by Dick Hobbs Issue 110 - February 2016 I was recently asked to write an article on quality of experience in video streaming. Obviously the first thing I did was ask Saint Google to find me recent research on the subject. It pulled up an absolute gem, a report published by Ofcom, the UK government's communications supremos. It was written by an out...

Submitted by Dick Hobbs.
Published 16 March 2016

Camera Operation and Training Part 1


by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick
Published 16 March 2016

Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

Saving your laptop from spills


by Beth Zarkhosh Issue 109 - January 2016 Saving your laptop from spills!Whether you\'re a wedding videographer or a small production company, we all know the stress of the edit process, nothing adds to that stress more than the full destruction of your PC or Mac. So its the New Year and youre finishing off that last bit of mulled wine from over Ch...

Submitted by Beth Zarkhosh
Published 21 January 2016

BVE and London Entertainment Week


BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus
Published 21 January 2016

Juggling with Broadcast Graphics


by Paul Vanlint Issue 109 - January 2016 If it were just about designing stunning looking titles, life would be simple and Adobe After Effects would probably have the market sewn up. But todays broadcasters and even AV producers have so many factors to juggle with, that anything other than a professional graphics solution is unthinkable. On the one...

Submitted by KitPlus
Published 21 January 2016

Automated Quality Control


by Thomas Dove Issue 109 - January 2016 Automated quality control for file-based media has been available to broadcasters for over a decade. The Vidcheck team designed and produced the very first product in this area. We have been working on this type of software since 2003 and are probably the most experienced team anywhere in the world. Many exis...

Submitted by Thomas Dove
Published 21 January 2016

Dear Santa


with Dick Hobbs Issue 108 - December 2015 My Christmas list this year is very modest. I really do hope that my naughty:nice ratio has been appropriate and you will be able to get at least some of these down my chimney. 1 less bad language. I dont mean swearing: that is all right in appropriate situations. Indeed its absence can be silly: there is...

Submitted by Dick Hobbs.
Published 15 December 2015

Virtually there - media monitoring goes beyond hardware


by Simen Frostad Issue 108 - December 2015 Being a hardware manufacturer is a great thing. It allows you to design the totality of the product and the users experience of it, to create a plug-and-play appliance that is uniquely fitted to its task. And there are plenty of tasks that are best done with the help of a piece of dedicated hardware, for m...

Submitted by Simen Frostad
Published 15 December 2015

Setting out your terms of business


by Den Lennie Issue 107 - November 2015 Its one thing to win a client and work, but it can be a whole different thing getting paid. Setting out a simple one-page terms of agreement can protect you. Im not qualified to give legal advice so I encourage you to seek professional advice when setting up your own terms of business. In simple terms, you ju...

Submitted by Den Lennie
Published 01 December 2015