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Highlighting YouTube Space

Video, by definition, requires space and light. However, the right space, with the right light, can make or break a production. YouTube parent company Google\'s new London HQ in Pancras Square at King\'s Cross is certainly the right space. In fact, it\'s so right they\'ve called it YouTube Space London, a 20,000 square-foot, state-of-the-art facili...

Submitted by Peter Daffarn

Published 10 November 2016

Make a scifi film in the Mexican Desert

British director Nicolas Roeg once said to me that making a film is like horse racing. To start with you give the horse a nudge to get him moving, then as you gather speed there's a point where you have to trust the horse. You hold on and the horse will carry you across the finish line. I've just returned home from shooting a Sci-fi proof-of-concep...

Submitted by Edward Andrews

Published 26 September 2016

Make sure you are connected. The writing is on the wall

SIS LIVE has a long history of providing OB technology for horse and dog racing, our traditional link to sports. So you can rightly deduce that we\'re not what could be considered a more generic OB company. Racing is our heritage and is something we continue to support. Having said that, we work with a multitude of OB companies in our new guise as...

Submitted by John Bozza

Published 26 September 2016

Shooting the WRC Rally

Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway

Published 25 August 2016

Comparing Stage and Screen

It can be a common misconception that all forms of acting are the same, if you are good at one then it must follow that you are good at another. This is not necessarily the case and is particularly true for the two disciplines of stage and screen acting. The biggest difference between of these two types of acting is the audience. On the stage audie...

Submitted by Jo Wickham

Published 25 August 2016

Realising the ideal

On 26 July 1916 there was a public meeting in New York. It was called by a group led by Charles Francis Jenkins (and more on him in a moment). But the guest speaker was Henry D Hubbard, at the time the secretary of the US National Bureau of Standards. This is some of what he said: "Interchangeability of parts is an important principle of standardis...

Submitted by Dick Hobbs.

Published 24 August 2016

The return of the Minimoog

The iconic Minimoog is making a return and a return well worth the wait! As this was the world\'s first portable synthesizer and became the role model for all electronic keyboards, the Minimoog Model D was and now is a synthesiser force to be reckoned with. First released in the 1970\'s, it became popular worldwide and attracted attention for its f...

Submitted by Beth Zarkosh

Published 24 August 2016

FBI Interview

This issue we chat with Ann Charles, a freelance Broadcast Technology and radio production consultant. Give us your elevator pitch. Who are you and what do you do?Hello, I'm Ann Charles and I'm a Radio Production and Technology Consultant. I help individuals and companies get the most out of their station's technology so they can make the best prog...

Submitted by Ann Charles

Published 22 July 2016

Up in the air with Dick

In the last issue of this magazine was a very interesting article by Lee Sheppard of SGL, talking about the pros and cons of archiving in the cloud. While there is a lot of conversation about cloud storage, its pluses and minuses, I have to confess to still being slightly confused about the practicalities and economics of it. So armed only with Goo...

Submitted by Dick Hobbs.

Published 22 July 2016

The new world of playout

Consumers know what they expect from a television channel. They expect programmes, of course, but they also know they are going to get commercials, trailers, station idents, graphics, break bumpers, squeezebacks and hot starts, bugs and brand identities, and more. Significantly, they expect these to arrive smoothly and seamlessly, in consistent hig...

Submitted by James Gilbert

Published 22 July 2016

High throughput satellite meets the challenge of IP media

For some time, many people in the media industry have been wondering how much longer satellite could remain a major player now that the era of 4K is upon us and there is such a rapid proliferation of channels. There just isn't the throughput for these new services on the current generation of satellites, so the argument goes, and the costs per giga...

Submitted by Simen Frostad

Published 22 July 2016

Seeing things with a 360 viewpoint

One of the benefits of working in teaching support is you often get opportunities to explore and experiment with lots of new kit that has been purchased for teaching or research. I have spent the past couple of years supporting the activities that take place within the Creative and Cultural Industries TV Studios (CCI TV for short) at the University...

Submitted by Michael Parsons

Published 22 July 2016

Content Security in the CLoud

Security is a difficult topic. There is no such thing a generic security. You always secure yourself against specific threats and hope the solution is generic enough to cover other similar classes of threat. For example - placing an expensive lock on the front door of your house prevents the specific threat of gaining access by using the door handl...

Submitted by Bruce Devlin

Published 14 June 2016

Top 10 Tips for Saving Time in Post

Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value. But you can make big savings simply by being organised. Time really is money in the ed...

Submitted by Max McGonigal

Published 14 June 2016

Bringing Realiability to the Unpredictability of Reality...

Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett

Published 14 June 2016