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Will Strauss looks at the growth of MediaCityUK and dock...


by Will StraussIssue 81 - September 2013 Whats up Dock?In less than three years Dock 10 has grown from a mere studio operator with add-ons to a fully-fledged digital media service provider. Will Strauss tracks the changes. MediaCityUK in Salford, Greater Manchester is exactly as the name suggests: a towering metropolis pumping out TV, radio and dig...

Submitted by Will Strauss#
Published 01 October 2013

Preparing for the future in television and film


by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#
Published 01 September 2013

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

EditShare hits the back of the net for french football gi...


by James RichingsIssue 80 - August 2013 Three times winners of Ligue 1, Frances highest football division, LOSC Lille is one of the premier professional sporting clubs in the country and have a sizeable following drawn from across Northern France. Live home games are broadcast for national TV and the club creates content for its own in-house televi...

Submitted by James Richings
Published 01 September 2013

Storage news: Space 4K Duo, the facility goes on location


Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus
Published 01 September 2013

Bringing increased efficiencies to file-based workflows


by Reed HaslamIssue 80 - August 2013 Most professionals in todays broadcast and media industries can remember a time when the videotape format was ubiquitous. It was the defacto recording, storage, and playback medium for many years, and fragments of the medium still exist today. What clearly contributed to the success of tape is its compact packag...

Submitted by Reed Haslam
Published 01 September 2013

Ask the experts with TMD looking at LTFS


by Tony TaylorIssue 80 - August 2013 Not another acronym! What is LTFS?LTFS stands for Linear Tape File System. It is a file system for data archives, developed by IBM but published as an open standard and now widely adopted by all the leading vendors of large-scale data archiving. If it is a data product, why am I reading about it in a broadcast m...

Submitted by Tony Taylor
Published 01 September 2013

8 questions about QC and language-based tools for caption...


by KJ KandellIssue 79 - July 2013 What are Captions?Captions (also known as subtitles) are coded signals that are sent along with the video and are decoded at your television or cable box to provide the audio track of the programming as white or colored text over a background. Captions can be open or closed. Open captions are always visible while t...

Submitted by KJ Kandell
Published 01 August 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

Preparing for the future in television and film


“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#
Published 01 July 2013

Building a digital archive


The search for specific content within masses of stored videotape once required a visit to the archive librarian, a great deal of patience, and some luck. Even if one was able to explain successfully the footage you needed, and if the librarian proved able to locate that content, there remained the possibility that tape degradation or generational...

Submitted by Bob Pank#
Published 01 October 2012

All Aboard The XDCam Recycling Service


For many television producers, archiving content is a fairly simple process. It generally goes something like this: 1) Pick up tape/disc/hard-drive. 2) Extend arm across to wall area. 3) Put tape/disc/hard-drive on shelf. 4) Retract arm. 5) Rinse and repeat. And that’s about it. Some people might add labels and go as far as adopting a cataloguing s...

Submitted by Bob Pank#
Published 01 October 2012

Ask the Experts: Content Storage, Security, Archive and M...


The media and entertainment industry is currently experiencing an unprecedented level of financial pressure. This comes from not only the turbulent economic era in which we are living, but also from increased competition and the need to repurpose content for consumption on different platforms and devices. In order to succeed, businesses need to do...

Submitted by Bob Pank#
Published 01 October 2012

Metadata rules


Regular readers of this column will know that I am frequently tasked with covering the sexiest of broadcast industry subjects. Indeed, just two months ago I got to discuss test and measurement (T&M). Well, if you thought that was intense, just wait for this month's topic. Not only is it potentially even less glamorous than T&M, it has the potential...

Submitted by Will Strauss#
Published 01 October 2012

Eye to Eye: Video over IP


Live video streaming via Internet Protocol is perhaps most familiar in the form of Skype’s free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via one’s own...

Submitted by Bob Pank#
Published 01 May 2012