KitPlus | Articles

Thanks for the memory

If I need to impress on someone just how old I really am, I explain that my first computer had 32kB of Ram. Then we go through the “you mean 32 meg” “no, I mean 32 k” routine. It does seem implausible that, while I managed to write letters on my BBC Model B, today I need half a million times the memory to bash out columns for TV Bay. This is, of co...

Submitted by Bob Pank#

Published 01 July 2011

North West 200

As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#

Published 01 July 2011

tv-bay questions

Name & Title?Eugene McCrystal, owner of EMC Post Production in DublinWho are you? (about yourself and who you work for)?I have been working in the broadcast and film industry for over 20 years. I started my career as an engineer with Carlton Television but quickly transitioned within Carlton to online editor. In 2004, I co-founded EGG Post Producti...

Submitted by Bob Pank#

Published 01 June 2011

Whats new in audio

The NAB show is not the first event that comes to mind for pro-audio kit but in fact rivals any audio-specific exhibition on the planet. The following is a summary of significant new sound equipment seen during a tour of this year's exhibits. AKG's C 544 L head-worn microphone is designed to be worn by gymnastics or (almost the same thing in some c...

Submitted by Bob Pank#

Published 01 June 2011

Hands on an IPad 2

It’s been near on 1 year since the Apple iPad landed on planet earth. No one knew if it was going to be a success, sceptics were sure that the tablet format would be nothing more than a fad and that true portable computing still lay in the realms of the notebook pc's. However after 9 months and 12 million units sold, Apple of course, again, annoyin...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Why do broadcasters need to take an interest in connected...

Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#

Published 01 April 2011

tv-bay questions

James Tonkin; Director of Hangman Studios, London UKWho are you? (about yourself and Hangman Studios?)I am a director/editor who over the last few years has also turned to DP'ing and producing. I trained originally in music technology for my degree at Rose Bruford College in London but I soon moved into editing and directing after graduating in 200...

Submitted by Bob Pank#

Published 01 April 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

Applying the milkshake theory

In last month’s column I sounded off at a few of the crackpot ideas going around at the moment, like connected television. The point, if there was one, was that we seem to be overloaded at the moment with new technologies that exist solely for one of two reasons: that a bunch of engineers found they could do it, and/or a big manufacturer thought th...

Submitted by Bob Pank#

Published 01 April 2011

The 4 Golden Rules of Streaming

In November 2009 a Florida-based web design company ran a series of tests on their website. Their bounce rate (the % of visitors to their site that hit their home page but go no further on a site) started at 45% - a barely acceptable rate. Over the course of a month, they added graphic after graphic to their site. The effect was catastrophic with a...

Submitted by Bob Pank#

Published 01 April 2011

The #BVEXPO Great Experiment

NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#

Published 01 April 2011

Watching Television

The pictures on this page give you a small insight into my life. The first is a picture of the television in my living room. At the time of taking the picture I was watching the English cricket team losing in high definition. The second picture is of my desk. Again you will see that it is dominated by a large screen (I’m afraid I still have a sneak...

Submitted by Bob Pank#

Published 01 March 2011

tv-bay questions

Name & Title?Ben Holmes, Owner and Senior EditorWho are you? (about yourself and EditOut)We're a specialist edit company focusing on editing for Outside Broadcast, as well as some corporate work. What do you do? What does EditOut do?My day-to-day work is as a VT and edit supervisor, producing packages for live TV broadcasts. Edit Out supplies Final...

Submitted by Bob Pank#

Published 01 February 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011