KitPlus | Articles

Skillset Accreditation

by Nick Way Issue 90 - June 2014 After the ITTPs inaugural conference on 27th January this year Skillset very kindly invited a member of ITTP to observe them accrediting a University Film and Television Course. I responded quickly and won the prize¦!I journeyed from work on the Thursday evening to the hotel for an evening meeting so the team could...

Submitted by Nick Way

Published 01 July 2014

Does lack of training produce inaudible sound

by John Barlow Issue 89 - May 2014 Jamaica Inn just happens to be the latest example of a mainstream TV drama production being broadcast with inaudible dialogue. The reasons vary from production to production but the end result is always an enormous waste of both acting and technical talent along with immense swathes of production budgets. Was it a...

Submitted by John Barlow

Published 01 June 2014

4K at NAB

by Bob Pank Issue 89 - May 2014 The long term NAB veterans will be well aware of just how quickly new technologies can come and go in the television industry. For instance, only a couple of years ago, 3D was still the hot topic, now it has gone quiet, but not altogether gone away. So it is good to report that 4K had another very good NAB, probably...

Submitted by Bob Pank#

Published 01 June 2014

Return to original programming for channel 5

Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus

Published 01 May 2014

Get the 8k WOW factor at NAB

by Bob Pank Issue 88 - April 2014 Once again 4K will be a prominent feature at NAB. There will be a 4K Zone in the North Hall but surely the format is now so popular that its many supporters will make it 4K everywhere and not confined to a dedicated zone. But 4K is only a part of UHD, the other being 8K, which has far more wow factor (why else go t...

Submitted by Bob Pank#

Published 01 May 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

Introducing #TVFUTURES

Issue 82 - October 2013 Will IngramI studied media at GCSE and studied photography and video for a year at AS level before switching to a full time video course. In July 2011, I had a serious downhill mountain bike crash initially rendering me paralysed and having a massive impact on my life. Learning to walk again and rebuilding your body isnt eas...

Submitted by KitPlus

Published 01 November 2013

Ask the experts: your questions on wireless camera system...

by Stuart BrownIssue 81 - September 2013 tv-bay talks to Stuart Brown, Broadcast Systems Director at Cobham Broadcast about your questions on wireless camera systems. What makes wireless camera systems a viable option now as opposed to only a few years ago?When the COFDM modulation scheme was introduced over a decade ago, it revolutionised event c...

Submitted by Stuart Brown

Published 01 October 2013

Education: Live TV approaches to learning without a safe...

by Jennie RawlingIssue 81 - September 2013 Live broadcasting is the core business of the University of Portsmouth course, BSc (Hons) Television and Broadcasting, and they are now entering into their fifth successive year of weekly television output. Course leader and senior lecturer Charlie Watts is delighted with the developments so far, but there...

Submitted by Jennie Rawling

Published 01 October 2013

Dick Hobbs gets up to speed with ESOMPS

The UK communications regulator Ofcom has issued a consultation document on the prospects for a technology called Earth Stations on Mobile Platforms, or ESOMPs. My first response to the consultation is that they should get a better acronym. An ESOMP is a small communications device which is attached to a mobile platform: a train, a plane, a ship or...

Submitted by Dick Hobbs.

Published 01 October 2013

Evolutions in the media cloud with Bob Pank

by Bob PankIssue 80 - August 2013 Years ago my boss, the sales director, warned me that talk of technical revolutions was not good. After all, a revolution ends up where it started. On the other hand evolutions were much better. Of course he was right. Over the years the technology of television has continuously evolved via numerous incremental imp...

Submitted by Bob Pank#

Published 01 September 2013

Following the Ravensbourne 3: What a past few months!

by Ruth MatosIssue 79 - July 2013 Here I am, at the end of my course BA Hons Production. For this final term I had to submit several projects including a portfolio showing a wide range of skills that I have developed and learnt. The most challenging and important one was a music video called Born of Stars, where I took the role of producer and DOP/...

Submitted by Ruth Matos

Published 01 August 2013

The Cloud, a big hit at NAB with Bob Pank

NAB 2013 will go down in history as the event where the broadcast industry took to the Cloud in a big way. Perhaps it was the number of smaller companies and start-ups that have been successfully operating cloud services for a year or more that persuaded the big names to join in but, more likely, these moves have been in the pipeline for a while. T...

Submitted by Bob Pank#

Published 01 June 2013

Following the Ravensbourne 3: Ruth Matos manages her time

by Ruth MatosWho has not been in a situation when work opportunities and commitments happen all at the same time? We never know why it is like that. It can be frustrating and it can take time thinking about what to do. As Paulo Coelho wrote on his book The Winner Stands Alone: ‘Life has many ways of testing a person's will, either by having nothing...

Submitted by Ruth Matos

Published 01 May 2013

Lights Camera Action for Silverstone F1

Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons

Published 01 March 2013