KitPlus | Articles

4k storm chasing

by Alister Chapman Issue 103 - July 2015 15 years ago I got my first big Broadcast Commission. It was to produce a 1 hour special on Tornado Chasing vacations. Yes, people pay to go on storm chasing holidays. In 1999 this was a new thing, today its a booming business. Ive always been fascinated by natural extremes and filming tornadoes seemed like...

Submitted by Alister Champman

Published 01 August 2015

Back to the future

by Dick Hobbs Issue 103 - July 2015 I was recently talking to the estimable James Gilbert, who runs the equally estimable graphics and automation specialist Pixel Power. He said something that made me think. We were talking about scalability, and he said that it works in two directions. There is the sort of scalability that we all readily understan...

Submitted by Dick Hobbs.

Published 01 August 2015

On-camera monitors for today and tomorrow

by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs

Published 01 July 2015

The importance of storage

by Larry Jordan Issue 102 - June 2015 "What\'s the best computer to edit video?\" It\'s a great question - it\'s just the wrong question. Yes, CPU speed is important and the Internet is buzzing with the latest specs on GPUs. But, today, virtually any currently shipping computer is more than adequate to edit video; even 4K. The critical component th...

Submitted by Larry Jordan#

Published 01 July 2015

#TVFUTURES

by Callum O\'LearyIssue 102 - June 2015I made it! So here we are, the last feature to write for Kit Plus and the end of my time as a BSc (Hons) Television and Broadcasting student at the University of Portsmouth. I remember my first year at the University fondly. Lecturers and students told me that it would fly by and however cliched it sounds...it...

Submitted by Callum O Leary

Published 01 July 2015

Those pesky scientists

by Dick Hobbs Issue 102 - June 2015 This month\'s picture is of something I was given on a visit to the Grass Valley camera factory in Breda, maybe 10 years ago. I think it is a thing of beauty, which is why it sits in pride of place on top of the wine cabinet. It is the sharp end an HD system camera: the optical block and a CCD imager. We saw in t...

Submitted by Dick Hobbs.

Published 01 July 2015

High-speed archiving in a high-res world

by Lee Sheppard Issue 102 - June 2015 SGL has partnered with Avid for the past 11 years and the companies continue to deliver solutions that are required by today\'s modern broadcast facilities. SGL FlashNet, the engine that drives Avid Interplay Archive, provides customers around the world with an integrated MAM/PAM archive solution. Built around...

Submitted by Lee Sheppard

Published 01 July 2015

Why fast production storage is just not enough

by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett

Published 01 July 2015

The future of storage is now affordable and flexible.

by Ed Harper Issue 102 - June 2015 As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution. Over the years, our engineering...

Submitted by Ed Harper

Published 01 July 2015

#TVFUTURES

by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary

Published 01 June 2015

A box of delights

by Dick Hobbs Issue 101 - May 2015 In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction. His original work was more complicated than this diagram, but fundamentally...

Submitted by Dick Hobbs.

Published 01 June 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

Fiber Transport for the future

by Lars Hohmann Issue 101 - May 2015 Broadcasters have access to numerous fiber-based signal transport solutions today. From the simplest point-to-point throw-down boxes to more elaborate optical rings, products come in at a variety of performance and price levels. In most cases, the broadcaster that wants a mix of signals will purchase signal-spec...

Submitted by Lars Hohmann

Published 01 June 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

Is it my eyes, is it in focus?

by Graham Reed Issue 100 - April 2015 Is it me or as I get older, and my eyes not as good as they were, are viewfinders getting smaller and less sharp?When I started as a cameraman the cameras were large (EMI 2001\'s) as were the viewfinders. They were large format cameras with a 30mm 4x3 sensors and the normal aperture was f 3.5, so a shallow dept...

Submitted by graham reed

Published 01 May 2015