KitPlus | Articles

Meeting the Challenges of Media Assett Management

It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king,\" and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and usi...

Submitted by Dave Clack

Published 14 June 2016

Building Out Storage for UHD

As the next big thing in video, from capture and production through to display in the home, 4K and ultra-high-definition (UHD) video offers many benefits. Most notable of these is an eightfold increase in resolution as compared with 1080i, the established standard for HD broadcast. A number of other significant enhancements to image quality are als...

Submitted by Andy Warman

Published 14 June 2016

The Challenges of Streaming

The purpose of this article to highlight the challenges facing small and medium streaming services. It is intended to look at how to achieve successful live and pre recorded content by means of streaming. In this article I would like to share the knowledge and the experience I have gained so far. I will also talk about the kit I use, how it is used...

Submitted by Joseph Ail

Published 14 June 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

Breakthrough

By Julia Belle Issue 113 - May 2016 How do you become a Hollywood Film Producer? Or a Second Assistant Director? Or a Gaffer?Truth is, they’re not particularly straight-forward questions to answer. But that doesn’t mean you should give up there and start working in a jam factory as your school careers advisor recommended. (Not that there’s anythin...

Submitted by Julia Belle

Published 20 May 2016

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

5 Things I Saw At NAB

by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2

Published 13 May 2016

Our Time At NAB 2016

by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh

Published 13 May 2016

Sin City

by Dick Hobbs Issue 113 - May 2016 I am writing this is the immediate aftermath of yet another NAB. For me that means a week of walking around,talking to a wide variety of people and taking the temperature of the industry. This year I developed a theory that there were three sorts of companies exhibiting at NAB,or at least three sorts of spokesmen...

Submitted by Dick Hobbs.

Published 13 May 2016

Resolute over Resolution

by Leighton Chenery Issue 112 - April 2016 According to an industry think-tank, the end of 2017 will see the tipping point for UHD in the UK. But, ask the people working on the frontline, and that picture is not so clear. As we approach NAB, talk will once again return to the thorny subject of picture resolution. I say \'thorny\' because it has div...

Submitted by Peter Savage 2

Published 25 April 2016

Waveform Monitors in 4K Production

by Alan Wheable Issue 112-April 2016 Waveforms have always been one of the essential tools for anyone working in the video industry and are used for level alignment, grading and quality control to touch on just a few areas. Working with HD and 3G-SDI waveform technology may have been a solution in the early days of UHD/4k to display the waveforms f...

Submitted by Alan Wheable

Published 25 April 2016

SDI, IP, Uncompressed and Compressed

by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams

Published 25 April 2016

The Search For The Coastal Wolf

by Bertie Gregory Issue 112 - April 2016 Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series...

Submitted by Bertie Gregory

Published 25 April 2016

Grading Temple - Making the future look vintage

Cineground's Simon Allard and Nguyen Anh Nguyen reveal how they used Kowa lenses and an atypical approach to grading to give their new sci-fi cyberpunk thriller, "Temple\" a unique vintage look. Created by the same indie team behind "The Akira Project,\" a viral trailer which garnered more than three million views online in 2014, "Temple\" is a new...

Submitted by Simon Allard

Published 01 April 2016