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Does 2D to 3D really work?


It is widely said that 3D has to be done well as, if it’s not, then it actually can hurt the viewer and give 3D a bad name. Certainly there have been big efforts to make good 3D, with Sky going to great lengths to ensure they set a high standard. Unlike the old 3D celluloid films, digital 3D can be a completely stable medium; it does not degrade wi...

Submitted by Bob Pank#
Published 01 December 2010

Meet Steadicam


1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#
Published 01 December 2010

Not so Good Vibrations


When shooting with ordinary 2D, you can almost do what you like with camera dynamics. If you pan wildly from side to side or up and down, what you see through the viewfinder is what you will actually get. If there is going to be some camera shake or vibration, you can opt to switch in a stabiliser in the camera or the lens system. In 3D these are d...

Submitted by Bob Pank#
Published 01 November 2010

Deja Vu


3D was everywhere at IBC with a choice of new products on offer for all parts of production. This makes 3D far more accessible as well as easier to produce. It was also clear that interested visitors to the show were no longer swayed by the initial ‘wow’ factor and were trying to see the more important things – notably the economic realities. In th...

Submitted by Bob Pank#
Published 01 November 2010

Redefining Mobile, High Definition Recording With Cinedec...


IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#
Published 01 November 2010

Television camera lenses


This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#
Published 01 November 2010

Am I a Martian at IBC2010


I have just returned from my annual sojourn at IBC and must confess that I was somewhat bemused by what I saw. I always think that the way to assess the tone of a show is to ask yourself what an average Martian would think about it, if it were doing a spot of pre-earth invasion scouting. Three dimensional headachesThis year, my Martian would have w...

Submitted by Bob Pank#
Published 01 November 2010

tv-bay IBC2010 double takes


Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#
Published 01 November 2010

TV Bay Questions


Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#
Published 01 November 2010

3D to see at IBC 2010


IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#
Published 01 October 2010

More than meets the eye


Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#
Published 01 October 2010

Fourteen different formats and thats without 3D


It started so innocuously. I was sitting with a hire company friend of mine reviewing the industry and where it was heading. “What’s going to be new at IBC?” I asked, as a way of keeping the conversation going. And then it all kicked off. Kicking off“What’s new? You should know! New? New! I have bought 14 different formats in the last 18 months – a...

Submitted by Bob Pank#
Published 01 September 2010

GSOH


This will come as no surprise to anyone who has met me, but I like a laugh. After a hard day at the coal face of incisive insights into the technology of our industry, nothing chills me out quicker than a good comedy. There is a channel on my personal EPG to which I return regularly. I will not mention it by name because I am about to be rude about...

Submitted by Bob Pank#
Published 01 September 2010

3D diaries -Fix it in post. Dont go there


The more I look into it the more scary 3D is. Researching for 3D Diaries shows there are so many pitfalls and traps that would be all too easy to fall into; enough to put people off the whole idea! The answer is simply to learn about the subject before seriously jumping in with both feet. Clearly it adds a whole new layer to all parts of the scene-...

Submitted by Bob Pank#
Published 01 September 2010

USB 3 King of Connectivity


They call it SuperSpeed, and for a very good reason. USB 3.0 boasts a data throughput of 4.8 Gb/s. We’ve long known this ubiquitous I/O technology as the Universal Serial Bus, and the improvements gained by USB 3.0 over USB 2.0, along with its backward compatibility, have already shown the USB king of connectivity is going to undoubtedly retain its...

Submitted by Bob Pank#
Published 01 September 2010