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4K Streaming and the Future of 8K


by Keith Wymbs Issue 87 - March 2014 There is little doubt that 4K and Ultra HD video will take hold over the next three years. These higher-resolution video types are a genuine advance from traditional HD and they likely will progress more quickly than their HD predecessor given the solid digital foundation now in place and advances such as high-e...

Submitted by Keith Wymbs
Published 01 April 2014

Todays media business needs SaaS


by Barrett Coakley Issue 87 - March 2014 In the field of media production, TV and broadcast organisations have yet to fully realise the benefits of Software as a Service (SaaS) especially as part of their day-to-day operations. However, there is no reason media professionals should have to settle for using outmoded or inefficient technology to get...

Submitted by Barrett Coakley
Published 01 April 2014

Ask the experts: What is MAM?


by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola
Published 01 February 2014

Archive eXchange format (AXF) explained


by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss
Published 01 February 2014

Will Strauss looks at post production in 2014


by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#
Published 01 February 2014

Moving into the IP based 4K UDTV camp


by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer
Published 01 January 2014

OTT: Back to basics


by Lorna GarrettIssue 84 - December 2013 Going over the top opens up boundless opportunities. Just make sure you work with someone who can help you over the potential pitfalls. Not that long ago, if asked to envisage a family watching television, you probably would have pictured Mum and Dad seated on the sofa, while a couple of children lay sprawle...

Submitted by Lorna Garrett
Published 01 January 2014

Royal College of Art targets loudness with NUGEN Audio


by Mike WyeldIssue 83 - November 2013 In the world of cinema and filmmaking I like to imagine the UK\'s Royal College of Art needs no introduction. Weve had some amazing alumni; Director Sir Ridley Scott, novelist Len Deighton, and Sgt Pepper artist Peter Blake have all walked the halls. Vacuum designer James Dyson imagined his revolutionary vacuum...

Submitted by Mike Wyeld
Published 01 December 2013

MTV3 uses sports-specific framework to build interactive...


by Henriette SaetherIssue 83 - November 2013 As any sports rights holder knows, those rights come with a lot of moneymaking potential. MTV Oy (not to be confused with MTV, the music television), Finlands largest commercial broadcaster has exclusive rights to broadcast the Finnish national team ice hockey matches in Finland. The matches are broadcas...

Submitted by Henriette Saether
Published 01 December 2013

Addressing lingering loudnes challenges


by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs
Published 01 December 2013

The art of E.P.I.C innovation


by Robin BrownIssue 81 - September 2013 Autoscript has a history of innovation, technological development and investment that push the boundaries of the prompting discipline not just for the sake of selling more stuff but to solve our customers real-world problems or challenges. All of our innovations are derived from intimate customer knowledge, a...

Submitted by Robin Brown
Published 01 October 2013

Evolutions in the media cloud with Bob Pank


by Bob PankIssue 80 - August 2013 Years ago my boss, the sales director, warned me that talk of technical revolutions was not good. After all, a revolution ends up where it started. On the other hand evolutions were much better. Of course he was right. Over the years the technology of television has continuously evolved via numerous incremental imp...

Submitted by Bob Pank#
Published 01 September 2013

Powering a richer media experience on set-top boxes


by Achim BosseIssue 80 - August 2013 Todays television viewers are increasingly using the Internet to download, share, and consume media on a variety of devices. Traditionally, DTV and IPTV service providers have relied on DVB MPEG-based technologies to deliver linear television services and IP technologies like multicasting or RTSP for VOD. Howeve...

Submitted by Achim Bosse
Published 01 September 2013

Facilis TerraBlock tops the charts for T-Series


Issue 80 - August 2013 Founded 24 years ago, T-Series has evolved into Indias top music label, representing more than 1,482 artists over the years including Indian music legends Jagjit Singh and Pankaj Udhas. The media and entertainment company also owns the rights to more than 35,000 audio titles, 2,000 video titles, 42 Hindi films and more. With...

Submitted by KitPlus
Published 01 September 2013

Redefining the archive with Raj Patel


by Raj PatelIssue 80 - August 2013 The entire broadcast workflow has changed dramatically in recent years. Predictably, its been a slow-process. The enormity of transitioning from an analogue to a digital workflow is huge for a variety of reasons - planning, testing, implementation and budget, can mean some installations taking up to two years to c...

Submitted by Raj Patel
Published 01 September 2013