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Working With Audio Signals

For most of the past century, working with audio signals was a very straightforward process. The audio information was converted to electrical signals in the form of a varying voltage between the two conductors in a pair (balanced) or between a conductor and the ground reference (unbalanced). The bandwidth, frequency response, distortion and noise...

Submitted by Kieron Seth#

Published 01 June 2011

TSL PAM1-3G8 Review

This unit from TSL has been in use by us for nearly a year. Its small and sleek and certainly looks professional, as you would expect from TSL. It sits at just 1U high, is not too deep and enables monitoring of 2x analogue, Embedded AES (16 channels) and Dolby E , however the Dolby E comes at a price due to it being an added option – I hate that, d...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

A decaying elephant...filmed

Assignment: To film 24/7 the six week decay of a dead five tonne adult elephant in the wild. Reason: to learn how the death creates six million calories of fat, meat and guts, feeding a whole new cycle of life. It was in early March 2010 when Tigress productions put in the call to TX for a meeting of minds, to discuss the idea of filming an elephan...

Submitted by Bob Pank#

Published 01 May 2011

tv-bay questions

Name & TitleChristopher Pitbladdo, Creative Director at DB Creative TVWho are you? (about yourself and DB Creative)?I'm an editor who's been cutting broadcast television documentaries and commercials since 1997. Having spent time living and working in London, I decided to make a lifestyle choice, and go back to my hometown of Edinburgh. DB Creative...

Submitted by Bob Pank#

Published 01 May 2011

Getting the 3D words right

Captions and sub-titling in 3D is not so easy as in 2D. The words cannot simply be superimposed over 3D content. They need to be accurately positioned in the depth plane otherwise they can create visual confusion and break the whole 3D illusion. For instance, consider a street lamp-post on the right in the foreground and in front of the screen plan...

Submitted by Bob Pank#

Published 01 May 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

A novel approach to delivering radio content

Who does a national broadcaster turn to with 9 TV and radio stations, each with 20hrs of daily programmes and a need to deliver them locally and cross continental... In a media rich world where viewers habits are rapidly changing they need to add another dimension to radio while maintaining the 'spirit' of a radio programme. France Tlvisions’ Rseau...

Submitted by Bob Pank#

Published 01 April 2011

Will Youview and IPTV change the face of TV Broadcasting

Youview, and the evolution of Internet Protocol TV (IPTV), are set to have a major impact on the UK broadcasting industry. Youview is the latest evolution of Freeview and Freesat, the Set Top Boxes (STB) that give access to additional channels without a monthly subscription. Freeview gives viewers access to terrestrial broadcasts, while Freesat ena...

Submitted by Bob Pank#

Published 01 April 2011

The 4 Golden Rules of Streaming

In November 2009 a Florida-based web design company ran a series of tests on their website. Their bounce rate (the % of visitors to their site that hit their home page but go no further on a site) started at 45% - a barely acceptable rate. Over the course of a month, they added graphic after graphic to their site. The effect was catastrophic with a...

Submitted by Bob Pank#

Published 01 April 2011

3D in 2011

Another year and it’s time for a fresh look at the S3D market. Each year the CES Show that occupies the Las Vegas Convention Center with, in 2011, an unexpectedly high number of attendees (140,000) keen to see what’s new. At CES 2010 S3D was THE thing, but a year later the excitement had moved on to the nebulous market of mobile devices OTT and, pr...

Submitted by Bob Pank#

Published 01 March 2011

Eye to eye: The changing face of video displays

Video display technology is progressing so fast that the phrase 'More revolutions than a banana republic' inevitably comes to mind. No offence intended if you have just taken over as president. From the 1930s to the present century, television display was dominated almost entirely by cathode ray tubes. Competition then arrived in the form of plasma...

Submitted by Bob Pank#

Published 01 March 2011

Control and Monitoring with Snell

For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#

Published 01 March 2011

Eye to Eye, Portable power supplies

The true portability of modern HD mini-cameras and flash-RAM video recorders is encouraging programme makers to go way beyond reach of tethered power supplies. But are the battery-makers living up to the demands being placed on them?Recommendation 1 in portable power supplies is so obvious it almost doesn't need stating: rechargeable batteries are...

Submitted by Bob Pank#

Published 01 February 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011