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The Look Future-Proofs Post Production Pipeline with Gras...


London-based bespoke post production facility, The Look, has upgraded its six Grass Valley Rio high performance online editing and post production systems to support multiple, simultaneous streams of 4K and 8K playback. Rio forms the heart of the fac...

Submitted by Platform Communications
Published 01 August 2019

Diplos So Long Music Video Uses Blackmagic Design URSA Mi...


Blackmagic Design announced today that “So Long,” Diplo’s latest music video featuring country artist Cam, was shot using the URSA Mini Pro 4.6K and utilized the Blackmagic RAW format. Produced at the 2019 Stagecoach Festival in Indio, California, th...

Submitted by Blackmagic design
Published 17 July 2019

Elton Johns Rocketman Graded with DaVinci Resolve Studio


Blackmagic Design has today announced that its DaVinci Resolve Studio was used throughout the color pipeline on Paramount’s new musical biopic about Elton John’s breakthrough years produced by Marv Films & Rocket Pictures and directed by Dexter Fletc...

Submitted by Blackmagic design
Published 20 June 2019

Cine Gear 2019 to Feature Panavision Camera-to-Finish Ima...


Panavision, the world-class provider of end-to-end solutions, will return to Cine Gear Expo (May 31-June 1) at The Studios at Paramount to showcase the latest innovations in the company’s ever-expanding production and post production ecosystem. Panav...

Submitted by ignite strategic communications
Published 31 May 2019

COLORFRONT FOCUSES ON SET-TO-SCREEN COLOR FIDELITY AND 8...


Colorfront (www.colorfront.com), the Academy, Emmy and HPA Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, broadcast, OTT and commercials, is focusing on faithful color management from capture...

Submitted by Prince PR
Published 30 May 2019

DIGITAL FILMTREE USES DAVINCI RESOLVE


Celebrating the debut of the sixth season of the post-apocalyptic, sci-fi drama, “The 100”, DigitalFilm Tree—DFT—would like to thank its color team, including Senior Colorist, Dan Judy, and VP of Post Production, Chad Gunderson, for aiding in the suc...

Submitted by Greenwood Drive Entertainment
Published 14 May 2019

Blackmagic Design Announces DaVinci Resolve 16


Blackmagic Design today announced DaVinci Resolve 16, a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, DaVinci Resolve 16 includes dozens of other n...

Submitted by Blackmagic design
Published 09 April 2019

EditShare Adds Support for Dolby Vision HDR Compliance Te...


EditShare®, a technology leader in intelligent scale-out storage, media asset management (MAM) and automated quality control (AQC), is providing Dolby Vision certified mastering post-production facilities new HDR compliance verification capabilities...

Submitted by Zazil Media Group
Published 04 April 2019

At NAB 2019 FilmLight adds more to modern colour finishin...


With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for coll...

Submitted by MKM Marketing Communications
Published 28 March 2019

Latest FilmLight Colour Day to be held at NAB2019


The next in the series of acclaimed FilmLight Colour Day masterclasses will be held alongside NAB on Monday 8th April 2019. Presented by industry leaders in creative grading, this intensive day will introduce colourists, DoPs and the wider production...

Submitted by MKM Marketing Communications
Published 25 March 2019

Gorilla Group Expands with DaVinci Resolve Studio for Ult...


Blackmagic Design has today announced that the Gorilla Group has chosen DaVinci Resolve Studio as part of a facility expansion that has added in support for Dolby Vision color correction and IMF format delivery for Netflix. Designed by Jigsaw24, the...

Submitted by Blackmagic design
Published 21 March 2019

Now Live: Red Giant Announces Magic Bullet Suite 24-Hour...


Red Giant just announced a flash sale for Magic Bullet Suite, its widely-used color correction, finishing and film looks tools for filmmakers. For the next 24 hours, from 10am PT (1pm ET) on Tuesday, March 19th to 10am PT (1pm ET) on Wednesday, March...

Submitted by Zazil Media Group
Published 19 March 2019

Nevion Virtuoso makes the grade for a52 Color in film and...


Nevion, award-winning provider of virtualized media production solutions, today announced that its Virtuoso software-defined media node platform has been deployed by a52 Color to enable collaborative remote color grading for film, commercial and TV,...

Submitted by Whiteoaks
Published 11 February 2019

FilmLight activates v5 for Baselight STUDENT


Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their skills as a colourist to have the full rang...

Submitted by MKM Marketing Communications
Published 10 January 2019

SVG Summit: Cobalt Digital to Demonstrate HDR Conversion...


Cobalt Digital will demonstrate its high dynamic range (HDR) conversion solutions for live sports and other broadcast content at the 2018 SVG Summit, which runs Dec. 10-11 at the New York Hilton Midtown. Using Cobalt’s flagship 9904-UDX-4K up/down/cr...

Submitted by Pipeline Communications
Published 06 December 2018