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Mobile News Gathering


by Erwan Gasc Issue 93 - September 2014 What are the most common challenges facing broadcasters in the field today? One of the most critical challenges for broadcasters today is arriving first on the scene of a breaking news story and being able to send live video coverage. Tough competition between TV channels, combined with the fact that consumer...

Submitted by Erwan Gasc
Published 01 October 2014

The evolution of Wired Intercom


by Simon Browne & Ed Fitzgerald Issue 93 - September 2014 Early Beginnings What do you think was the fi rst DIGITAL communications system devised? Of course you could think of the evolution in standardised parallel data backplanes and digital ICs in the 1980s and the swathe of multi-rack Time Division Multiplexed switching systems that it enabled,...

Submitted by Simon Browne
Published 01 October 2014

SIZE is everything


Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus
Published 01 October 2014

Fashionable Live Streaming


by Katie Phibbs Issue 93 - September 2014 For the launch of their Autumn Winter 2014 collection, Ted Baker called on London studio 3xScreen Media to provide an ambitious production and live streaming solution. The brief was to provide catwalk coverage via four simultaneous live streams viewed in a player designed and built for purpose. The fashion...

Submitted by Kate Phibbs
Published 01 October 2014

In the Field


by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown
Published 01 October 2014

UWP-D11 Review


by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook
Published 01 August 2014

On Set of Top Gear festival live


Issue 91 - July 201420th June 2014, London UK - Zero Division provided a bespoke installation of the Boxx TV Zenith system for the Top Gear Festival in Barbados at the newly renovated Bushy Park race track, and provided on-site support during the event. The Top Gear Festival is a live show staged to tens of thousands of visitors, to bring the spiri...

Submitted by KitPlus
Published 01 August 2014

Teletest Telesend HD LCD receiver Review


by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast
Published 01 July 2014

The Evolution of TV to the Bus Train and Park Bench


by John Mills Issue 90 - June 2014 A Digital RevolutionSince the not-quite-fully-electric late nineteenth century, Television has been evolving. The first major, modern change to the way people experienced TV was when technology enabled them to decide when they were going to watch the programmes they wanted to watch. VHS recorders and then DVD play...

Submitted by John Mills
Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP


by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom
Published 01 July 2014

Taming the Thames for Boat Race coverage


by Presteigne Charter Issue 89 - May 2014 Each April teams representing the two oldest universities in England, Oxford and Cambridge, meet on the Thames for one of the toughest challenges in rowing. A very popular event, this years race, which was covered by BBC Sport, saw Oxford claim an emphatic 11-length victory over their old rivals. Leading hi...

Submitted by Presteigne Charter
Published 01 June 2014

Tech trends drive more efficent and more flexible communi...


by Serkan Gner Issue 89 - May 2014 The emergence of new signal transport protocols and standards and the embrace of new methods of interfacing are changing the way communications are being handled for broadcasters. Increasing implementation of Audio Video Bridging (AVB) and the growing need and acceptance of remote mobile connections to intercom sy...

Submitted by Serkan Guner
Published 01 June 2014

Game Set Match


by Nico Lewis & Jon Ridel Issue 89 - May 2014 Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without...

Submitted by Nico Lewis
Published 01 June 2014

Unique additions to 4-wire/ talkback Controller


Issue 89 - May 2014In the communications world there are many ways to get audio from point A to point B and for each different application that’s arisen, suitably niche products have been developed. At Sonifex we’re a company that specialises in developing niche products for niche applications, as evidenced by the growing Redbox range, mainly devel...

Submitted by KitPlus
Published 01 June 2014

Ask the experts: Life behind the rate card


by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome
Published 01 May 2014