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The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

Will Strauss captures some decent sound gear


Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#
Published 01 June 2013

Leading-edge cellular bonding technologies smooth the way...


COVERING THE PAPAL SUCCESSION: Leading-Edge Cellular Bonding Technologies Smooth the Way for Global News TeamsBy Bogdan FrusinaOn February 11, Catholics all over the world were stunned when Pope Benedict XVI announced his resignation – an event that is unprecedented in modern history. In response, global news organizations went into scramble mode t...

Submitted by Bogdan Frusina
Published 01 May 2013

Mobile news gathering with Will Strauss


by Will StraussSo, here’s a scenario. You’re a TV news editor and a story breaks. Your reporter and cameraman (or reporter/cameraman) can get to the scene no bother. But all your satellite trucks are someplace else. What do you do? Umm…. Thanks to developments in transmission technology the ENG scenario described above is pretty much redundant thes...

Submitted by Will Strauss#
Published 01 May 2013

Lights Camera Action for Silverstone F1


Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons
Published 01 March 2013

Twas the issue before Christmas;


As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#
Published 01 January 2013

Monitoring: Cutting the Wires


Teradek began the wireless monitoring revolution at last year's NAB show. Its Cube wireless encoders are no bigger than a pack of playing cards. They compress a camcorder's video feed into an H.264 signal for transmission to either a WiFi-enabled laptop, iPad or tablet or to a Cube decoder. Straight-away live, remote and affordable monitoring was b...

Submitted by Kieron Seth#
Published 01 December 2012

Next generation monitoring - in the studio and in the fie...


HD pan, tilt and zoom cameras are very popular in self-operated studios, conference rooms, theatres and houses of worship. Typically, PTZ systems are remotely controlled by RS-422 or over Ethernet, with video signals routed over SDI cable into the production desk. Previously, live monitoring was only possible via the switcher that could be as remot...

Submitted by Kieron Seth#
Published 01 December 2012

IT Broadcasting


Magdoos Media is the archetypal early 21st century broadcaster. The company televises live events for such clients as Codemasters, ArabicGamers, 2K Games and Russell Investment, webstreaming and narrow-casting programmes on behalf of niche markets, from gaming conventions to corporate events. “Delivery channels vary from public access networks such...

Submitted by Kieron Seth#
Published 01 December 2012

Revolutionary Rotolight Anova Shoot at BBC Studios


The Worlds Most Advanced LED Floodlight the Rotolight Anova (www.rotolight.com) was recently the light of choice for a shoot at the home of British Television, with Philip Nash, Multi-Award Winning Photographer and Videographer(www.nash.net) shooting both Video and stills with one of the worlds leading models. The shoot was both indoors against pho...

Submitted by Will Strauss#
Published 01 October 2012

Lights, Camera¦Action


Rotolight was recently used as the light of choice for a high profile Shoot that took place at the Silverstone F1 Track. The Autosports awards shoot saw some of the best young future F1 stars competing in the gorgeous McLaren MP4-12C Supercar, Formula 2 Cars, and Mercedes DTM cars all afternoon, with the winning driver rewarded with the opportunity...

Submitted by Bob Pank#
Published 01 May 2012

Ask the experts......Intercoms for outside broadcasts


Ask the experts – intercoms for outside broadcastsBarry Spencer, Trilogy CommunicationsI just assume outside broadcast trucks come with an intercom. Why do I need to even think about it?The first big point is that an outside broadcast is not just a control room on wheels. It is an event. And that means communications beyond the truck. Within the pr...

Submitted by Kieron Seth#
Published 01 April 2012

Canon C300 Review


Canon's highly anticipated C300 camera is their first offering to the 'digital cinema' market. The camera was released amid a meticulously planned marketing campaign, which created a hype not seen since the Red One camera's introduction in 2006. Canon have since taken the camera on a global roadshow showcasing to all potential suitors, of which the...

Submitted by Bob Pank#
Published 01 March 2012

The #BVEXPO Great Experiment


NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#
Published 01 April 2011

tv-bay IBC2010 double takes


Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#
Published 01 November 2010