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A Software Based Approach to Video Monitoring


Real-time content monitoring is a mission-critical operation for broadcasters, telecom, and satellite operators. Traditionally, service providers have used monitoring systems based on specialized hardware with a dedicated, fixed interface designed to monitor a specific number of video feeds. Yet, bespoke hardware solutions require a substantial amo...

Submitted by Anupama Anantharaman - new
Published 04 April 2017

How to illuminate a better shot


LED (Light Emitting Diode) technology built for the general lighting market is designed to meet very different criteria than the critical lighting requirements for image capture. While LEDs may be a suitable lighting option for some photography and videography, critical applications, such as feature film, production requires users to understand the...

Submitted by Chuck Edwards
Published 15 March 2017

Mr MXF thinks the future is made of components


The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community. If you haven\'t heard of IMF then you have not been standing within 500ft of me for the past year. IMF i...

Submitted by Bruce Devlin
Published 15 February 2017

Sully - Grading a miracle


We all know the story. On 15 January 2009 an Airbus A320 took off from LaGuardia airport in New York, heading for Charlotte. Just a couple of minutes later the plane flew through a flock of Canada geese and blew out both engines. Knowing the risk of crashing into heavily populated areas, Captain Chesley Sullenberger - Sully - aimed for the only lon...

Submitted by Maxine Gervais
Published 15 February 2017

The secret to global Gogglebox success


People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper
Published 15 February 2017

The future of post production


Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus
Published 15 February 2017

MAM needs to adapt or die


The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a mass...

Submitted by Tim Child
Published 15 February 2017

Mr MXF thinks the future is bright


I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin
Published 13 January 2017

The world is not flat


The world is all around us. We have a lot of cues that make us aware of how we fit into a 3D space. Many of these cues, senses and reactions are survival instincts. For example, the ability to hear someone walk up behind us, to see movement in our peripheral vision, a sense of how we are oriented when we move our bodies or swivel our head. All of t...

Submitted by David Schleifer
Published 13 January 2017

Trends in IP based broadcast


The momentum behind moving media operations to IP-based environments is unstoppable and to stay ahead of the competition these days, companies need to be migrating operations away from rigid, single-purpose components and towards software-based common computing resources. The good news is a well-architected IP-based production facility is now able...

Submitted by Glodina Lostanlen
Published 13 January 2017

Broadcasting virtual reality to the world


Following the recent launch of a number of virtual reality (VR) headsets, such as the Oculus Rift and HTC Vive, VR is introducing new and compelling platforms for broadcasters to deliver their content, and new ways for audiences to consume. While the way that audiences consume content continues to shift, with the ratio between viewing on fixed scre...

Submitted by Steve Plunkett
Published 13 January 2017

You need more damn pixels


There has obviously been a lot of chatter in recent years about 4K, but is it enough? 8K and beyond is where the excitement lies, but not in the way you might think. 8K and beyond for broadcast, both of which are easily achievable in a software-only, IP environment, may seem a bridge too far for most at the moment, and they\'re probably right¦for n...

Submitted by Jan Weigner
Published 13 January 2017

Top gadgets for 2017


Wow - 2016 - we certainly didn\'t see you coming. Thankfully, one thing we can reliably see coming in the midst of our increasingly unpredictable futures, are the beautiful range of shiny inventions, gadgets and technological wonderment of the year 2017 - so put today\'s headlines to one side and enjoy this rare opportunity to take a look at a reli...

Submitted by Beth Zarkosh
Published 13 January 2017

Television is dead, long live television


After decades of operating within the same fundamental model, the walls around our world - what was the broadcast world, or "vertical", in marketing terms - are crumbling. NAB 2016 clearly showed this and IBC 2016 took it one step further: momentum is strengthening as we push towards an IP future. The TVB2020 conference earlier this year also refle...

Submitted by Ephraim Barrett
Published 07 December 2016

Streamlining operations at BFBS


British Armed Forces around the world rely on British Forces Broadcasting Service (BFBS) to provide them with entertainment and information via their TVs and radios. Operating from studios in Buckinghamshire, BFBS is part of Services Sound and Vision Corporation (SSVC), a not-for-profit charitable organization that makes a considerable contribution...

Submitted by Adrian Richmond
Published 07 December 2016